Browse Source

Initial push of DISTRHO code

tags/2018-04-16
falkTX 7 years ago
parent
commit
49edfaaa68
100 changed files with 23930 additions and 0 deletions
  1. +76
    -0
      .gitignore
  2. +9
    -0
      DISTRHO.kdev4
  3. +99
    -0
      Makefile
  4. +5
    -0
      TODO
  5. +101
    -0
      bin/cabbage-todo/Effects/AutopanTremolo.csd
  6. +73
    -0
      bin/cabbage-todo/Effects/HighpassFilter.csd
  7. +71
    -0
      bin/cabbage-todo/Effects/LowpassFilter.csd
  8. +76
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      bin/cabbage-todo/Effects/MultiReverb.csd
  9. +96
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      bin/cabbage-todo/Effects/clip.csd
  10. +98
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      bin/cabbage-todo/Effects/pdclip.csd
  11. +134
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      bin/cabbage-todo/Effects/resony.csd
  12. +103
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      bin/cabbage-todo/Effects/waveset.csd
  13. +370
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      bin/cabbage-todo/Synths/Choir.csd
  14. +321
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      bin/cabbage-todo/Synths/Clavinet.csd
  15. +461
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      bin/cabbage-todo/Synths/Clavinet.snaps
  16. +60
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      bin/cabbage-todo/Synths/GaussianDust.csd
  17. +115
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      bin/cabbage-todo/Synths/Granular.csd
  18. +300
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      bin/cabbage-todo/Synths/InharmonicAdditiveSynth.csd
  19. +59
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      bin/cabbage-todo/Synths/PinkNoise.csd
  20. +379
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      bin/cabbage-todo/Synths/Risset.csd
  21. +64
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      bin/cabbage-todo/Synths/SonicLavaLampHelp.html
  22. +983
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      bin/cabbage-todo/Synths/TR-808.csd
  23. +1376
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      bin/cabbage-todo/Synths/TR-808_pattern.0.txt
  24. +250
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      bin/cabbage-todo/Synths/Vectorial.csd
  25. +363
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      bin/cabbage-todo/Synths/hsboscil_synth.csd
  26. +802
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      bin/cabbage-todo/Synths/oscbnk_synth.csd
  27. +127
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      bin/cabbage-todo/Synths/sonic_lava_lamp.csd
  28. +100
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      bin/cabbage/Effects/EnvelopeFollower.csd
  29. +263
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      bin/cabbage/Effects/FrequencyShifter.csd
  30. +57
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      bin/cabbage/Effects/LoFi.csd
  31. +121
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      bin/cabbage/Effects/Phaser.csd
  32. +59
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      bin/cabbage/Effects/PingPongDelay.csd
  33. +94
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      bin/cabbage/Effects/Powershape.csd
  34. +71
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      bin/cabbage/Effects/RingModulator.csd
  35. +57
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      bin/cabbage/Effects/StereoChorus.csd
  36. +104
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      bin/cabbage/Effects/pvScale.csd
  37. +90
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      bin/cabbage/Effects/pvSmooth.csd
  38. +76
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      bin/cabbage/Effects/pvsBlur.csd
  39. +114
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      bin/cabbage/Effects/pvsBuffer.csd
  40. +432
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      bin/cabbage/MIDI/MIDI_OUT_MATRIX.csd
  41. +160
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      bin/cabbage/Synths/Additive.csd
  42. +80
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      bin/cabbage/Synths/CrazyPluck.csd
  43. +54
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      bin/cabbage/Synths/Dust.csd
  44. +135
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      bin/cabbage/Synths/HiperSaw.csd
  45. +41
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      bin/cabbage/Synths/WhiteNoise.csd
  46. +612
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      bin/cabbage/Synths/bassline.csd
  47. +77
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      bin/cabbage/Synths/bassline.snaps
  48. +280
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      doc/GPL.txt
  49. +165
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      doc/LGPL.txt
  50. +64
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      libs/dgl/App.hpp
  51. +143
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      libs/dgl/Base.hpp
  52. +206
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      libs/dgl/CairoWidget.hpp
  53. +133
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      libs/dgl/Geometry.hpp
  54. +68
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      libs/dgl/Image.hpp
  55. +56
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      libs/dgl/ImageAboutWindow.hpp
  56. +64
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      libs/dgl/ImageButton.hpp
  57. +92
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      libs/dgl/ImageKnob.hpp
  58. +86
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      libs/dgl/ImageSlider.hpp
  59. +21
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      libs/dgl/Makefile
  60. +79
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      libs/dgl/StandaloneWindow.hpp
  61. +106
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      libs/dgl/Widget.hpp
  62. +84
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      libs/dgl/Window.hpp
  63. +22
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      libs/dgl/build/premake.lua
  64. +133
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      libs/dgl/src/App.cpp
  65. +49
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      libs/dgl/src/Base.cpp
  66. +416
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      libs/dgl/src/Geometry.cpp
  67. +198
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      libs/dgl/src/Image.cpp
  68. +78
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      libs/dgl/src/ImageAboutWindow.cpp
  69. +173
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      libs/dgl/src/ImageButton.cpp
  70. +364
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      libs/dgl/src/ImageKnob.cpp
  71. +325
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      libs/dgl/src/ImageSlider.cpp
  72. +238
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      libs/dgl/src/Widget.cpp
  73. +906
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      libs/dgl/src/Window.cpp
  74. +357
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      libs/dgl/src/pugl/pugl.h
  75. +161
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      libs/dgl/src/pugl/pugl_internal.h
  76. +459
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      libs/dgl/src/pugl/pugl_osx.m
  77. +37
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      libs/dgl/src/pugl/pugl_osx_extended.h
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      libs/dgl/src/pugl/pugl_osx_extended.m
  79. +387
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      libs/dgl/src/pugl/pugl_win.cpp
  80. +397
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      libs/dgl/src/pugl/pugl_x11.c
  81. +269
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      libs/distrho/DistrhoPlugin.hpp
  82. +26
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      libs/distrho/DistrhoPluginMain.cpp
  83. +94
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      libs/distrho/DistrhoUI.hpp
  84. +25
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      libs/distrho/DistrhoUIMain.cpp
  85. +684
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      libs/distrho/DistrhoUtils.hpp
  86. +114
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      libs/distrho/src/DistrhoDefines.h
  87. +107
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      libs/distrho/src/DistrhoPlugin.cpp
  88. +376
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      libs/distrho/src/DistrhoPluginInternal.hpp
  89. +702
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      libs/distrho/src/DistrhoPluginLADSPA+DSSI.cpp
  90. +876
    -0
      libs/distrho/src/DistrhoPluginLV2.cpp
  91. +367
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      libs/distrho/src/DistrhoPluginLV2export.cpp
  92. +1009
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      libs/distrho/src/DistrhoPluginVST.cpp
  93. +89
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      libs/distrho/src/DistrhoUI.cpp
  94. +489
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      libs/distrho/src/DistrhoUIDSSI.cpp
  95. +249
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      libs/distrho/src/DistrhoUIInternal.hpp
  96. +333
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      libs/distrho/src/DistrhoUILV2.cpp
  97. +441
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      libs/distrho/src/dssi/dssi.h
  98. +272
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      libs/distrho/src/dssi/seq_event-compat.h
  99. +603
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      libs/distrho/src/ladspa/ladspa.h
  100. +619
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      libs/distrho/src/lv2/atom-forge.h

+ 76
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.gitignore View File

@@ -0,0 +1,76 @@
*~
*.a
*.dll
*.dylib
*.exe
*.la
*.o
*.so
*.so.*

*.cdbs-orig
*.moc
moc_*.cpp
qrc_*.cpp
ui_*.h

*.lv2
*.make
*.pro.user
Makefile
Makefile.Debug
Makefile.Release
object_script.*.Debug
object_script.*.Release

.directory
.fuse*
.svn
.*.kate-swp
.DS_Store
.kdev_include_paths
.kdev4

bin/ladspa
bin/dssi
bin/lv2
bin/vst
bin/standalone
debian
intermediate
lv2_ttl_generator

libs/distrho/dgl/Makefile.copy
libs/juce-2.0/source/amalgamation/
libs/juce-2.0/source/docs/
libs/juce-2.0/source/extras/
libs/juce-2.0/source/modules/juce_box2d/
libs/juce-2.0/source/modules/juce_browser_plugin_client/
libs/juce-2.0/source/modules/juce_cryptography/
libs/juce-2.0/source/modules/juce_opengl/
libs/juce-2.0/source/modules/juce_video/
libs/juce-2.0/source/juce.h
libs/juce-2.0/source/juce_amalgamated.*

scripts/*.h
scripts/*.pro

sdks/ASIOSDK2/*
sdks/vstsdk2.4/*

_old
ports/_todo

libs/juce/source/.gitignore
libs/juce/source/amalgamation/
libs/juce/source/docs/
libs/juce/source/extras/
libs/juce/source/juce.h
libs/juce/source/juce_amalgamated.cpp
libs/juce/source/juce_amalgamated.h
libs/juce/source/juce_amalgamated.mm
libs/juce/source/modules/juce_box2d/
libs/juce/source/modules/juce_browser_plugin_client/
libs/juce/source/modules/juce_cryptography/
libs/juce/source/modules/juce_opengl/
libs/juce/source/modules/juce_video/

+ 9
- 0
DISTRHO.kdev4 View File

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[Project]
Manager=KDevGenericManager
Name=DISTRHO

[Filters]
Excludes=*~,*.o

[Project]
VersionControlSupport=kdevgit

+ 99
- 0
Makefile View File

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# -----------------------------------------
# Compile all the Plugins and Ports

PREFIX = /usr/local

# -----------------------------------------
# all

all:
$(MAKE) -C libs/dgl
$(MAKE) -C libs/drowaudio
$(MAKE) -C libs/juce
$(MAKE) -C libs/juced
$(MAKE) -C libs/lv2-ttl-generator
$(MAKE) -C plugins plugins
$(MAKE) -C ports plugins
$(MAKE) gen

# -----------------------------------------
# install

install:
install -d $(DESTDIR)$(PREFIX)/lib/ladspa/
install -d $(DESTDIR)$(PREFIX)/lib/dssi/
install -d $(DESTDIR)$(PREFIX)/lib/lv2/
install -d $(DESTDIR)$(PREFIX)/lib/vst/
cp -r bin/ladspa/* $(DESTDIR)$(PREFIX)/lib/ladspa/
cp -r bin/dssi/* $(DESTDIR)$(PREFIX)/lib/dssi/
cp -r bin/vst/* $(DESTDIR)$(PREFIX)/lib/vst/
cp -r bin/lv2/*.lv2/ static-lv2-ttl/*.lv2/ $(DESTDIR)$(PREFIX)/lib/lv2/

# -----------------------------------------
# gen

gen: gen_lv2 gen_vst

gen_lv2:
$(MAKE) -C libs/lv2-ttl-generator
@./scripts/generate-cabbage-lv2.sh
@./scripts/generate-ttl.sh

gen_vst:
@./scripts/generate-cabbage-vst.sh

# -----------------------------------------
# clean

clean:
$(MAKE) clean -C libs/dgl
$(MAKE) clean -C libs/drowaudio
$(MAKE) clean -C libs/juce
$(MAKE) clean -C libs/juced
$(MAKE) clean -C libs/lv2-ttl-generator
$(MAKE) clean -C plugins
$(MAKE) clean -C ports
rm -rf bin/lv2/*.lv2/

distclean: clean
$(MAKE) distclean -C libs/dgl
$(MAKE) distclean -C libs/drowaudio
$(MAKE) distclean -C libs/juce
$(MAKE) distclean -C libs/juced
$(MAKE) distclean -C plugins
$(MAKE) distclean -C ports

# -----------------------------------------
# mingw

mingw:
$(MAKE) -C libs/lv2-ttl-generator mingw

# -----------------------------------------
# Custom build types

ladspa:
$(MAKE) -C plugins ladspa

dssi:
$(MAKE) -C libs/dgl
$(MAKE) -C plugins dssi

lv2:
$(MAKE) -C libs/dgl
$(MAKE) -C libs/drowaudio
$(MAKE) -C libs/juce
$(MAKE) -C libs/juced
$(MAKE) -C libs/lv2-ttl-generator
$(MAKE) -C plugins lv2
$(MAKE) -C ports lv2
$(MAKE) gen_lv2

vst:
$(MAKE) -C libs/dgl
$(MAKE) -C libs/drowaudio
$(MAKE) -C libs/juce
$(MAKE) -C libs/juced
$(MAKE) -C plugins vst
$(MAKE) -C ports vst
$(MAKE) gen_vst

+ 5
- 0
TODO View File

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test new cabbage code
install new cabbage files (html, others?)
report all bugs upstream

fix dgl keyboard input bug

+ 101
- 0
bin/cabbage-todo/Effects/AutopanTremolo.csd View File

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<Cabbage>
form caption("Autopan / Tremolo") size(440, 102), pluginID("aptr")
image pos( 0, 0), size(440, 102), colour("Maroon"), shape("rounded"), outline("white"), line(4)
rslider bounds( 5, 6, 90, 90), text("Freq.[Hz]"), channel("rate"), range(0.1, 50, 0.5, 0.5), textBox(1)
rslider bounds( 80, 6, 90, 90), text("Tempo[BPM]"), channel("tempo"), range(6, 3000, 30, 0.5, 1), textBox(1)
rslider bounds(175, 6, 90, 90), text("Depth"), channel("depth"), range(0, 1.00, 1, 0.5), textBox(1)
rslider bounds(345, 6, 90, 90), text("Level"), channel("level"), range(0, 1.00, 1), textBox(1)
checkbox bounds(160, 15, 25, 25), colour("yellow"), channel("indicator"), value(0), shape("rounded")
combobox bounds(260, 13, 90,20), channel("mode"), value(1), text("Autopan", "Tremolo")
combobox bounds(260, 38, 90,20), channel("wave"), value(1), text("Sine", "Triangle", "Square", "Randomi", "Randomh")
checkbox bounds(260, 63, 90, 15), text("TEST TONE"), colour("lime"), channel("test"), value(0)


</Cabbage>
<CsoundSynthesizer>
<CsOptions>
-d -n
</CsOptions>
<CsInstruments>
sr = 44100
ksmps = 32
nchnls = 2
0dbfs = 1

;Author: Iain McCurdy (2012)

opcode PanTrem,aa,aakkkK
ainL,ainR,krate,kdepth,kmode,kwave xin ;READ IN INPUT ARGUMENTS
ktrig changed kwave ;IF LFO WAVEFORM TYPE IS CHANGED GENERATE A MOMENTARY '1' (BANG)
if ktrig=1 then ;IF A 'BANG' HAS BEEN GENERATED IN THE ABOVE LINE
reinit UPDATE ;BEGIN A REINITIALIZATION PASS FROM LABEL 'UPDATE' SO THAT LFO WAVEFORM TYPE CAN BE UPDATED
endif ;END OF THIS CONDITIONAL BRANCH
UPDATE: ;LABEL CALLED UPDATE
iwave init i(kwave)
iwave limit iwave, 0, 4 ;
if iwave==3 then ;if randomi chosen...
klfo randomi -kdepth,kdepth,krate,1
elseif iwave==4 then ;of randomh chosen...
klfo randomh -kdepth,kdepth,krate,1
else
klfo lfo kdepth, krate, iwave ;CREATE AN LFO
endif
rireturn ;RETURN FROM REINITIALIZATION PASS
klfo = (klfo*0.5)+0.5 ;RESCALE AND OFFSET LFO SO IT STAY WITHIN THE RANGE 0 - 1 ABOUT THE VALUE 0.5
if iwave=2||iwave==4 then ;IF SQUARE WAVE MODULATION HAS BEEN CHOSEN...
klfo portk klfo, 0.001 ;SMOOTH THE SQUARE WAVE A TINY BIT TO PREVENT CLICKS
endif ;END OF THIS CONDITIONAL BRANCH
if kmode=0 then ;PAN ;IF PANNING MODE IS CHOSEN FROM BUTTON BANK...
alfo interp klfo ;INTERPOLATE K-RATE LFO AND CREATE A-RATE VARIABLE
aoutL = ainL*sqrt(alfo) ;REDEFINE GLOBAL AUDIO LEFT CHANNEL SIGNAL WITH AUTO-PANNING
aoutR = ainR*(1-sqrt(alfo)) ;REDEFINE GLOBAL AUDIO RIGHT CHANNEL SIGNAL WITH AUTO-PANNING
kindicator = (klfo>0.5?1:0)
chnset kindicator,"indicator"
elseif kmode=1 then ;TREM ;IF TREMELO MODE IS CHOSEN FROM BUTTON BANK...
kindicator = (klfo>0.5?1:0)
chnset kindicator,"indicator"
klfo = klfo+(0.5-(kdepth*0.5)) ;MODIFY LFO AT ZERO DEPTH VALUE IS 1 AND AT MAX DEPTH CENTRE OF MODULATION IS 0.5
alfo interp klfo ;INTERPOLATE K-RATE LFO AND CREATE A-RATE VARIABLE
aoutL = ainL*(alfo^2) ;REDEFINE GLOBAL AUDIO LEFT CHANNEL SIGNAL WITH TREMELO
aoutR = ainR*(alfo^2) ;REDEFINE GLOBAL AUDIO RIGHT CHANNEL SIGNAL WITH TREMELO
endif ;END OF THIS CONDITIONAL BRANCH
xout aoutL,aoutR ;SEND AUDIO BACK TO CALLER INSTRUMENT
endop

instr 1
krate chnget "rate"
ktempo chnget "tempo"
kdepth chnget "depth"
kmode chnget "mode"
kwave chnget "wave"
klevel chnget "level"
ktest chnget "test"

ktrig changed krate
ktrig2 changed ktempo
if ktrig=1 then
chnset krate*60,"tempo"
elseif ktrig2=1 then
chnset ktempo/60,"rate"
endif

if ktest=1 then
a1 vco2 0.2,300,4,0.5
a2 = a1
else
a1,a2 ins
endif

a1,a2 PanTrem a1,a2,krate,kdepth,kmode-1,kwave-1
a1 = a1 * klevel
a2 = a2 * klevel
outs a1,a2
endin

</CsInstruments>

<CsScore>
i 1 0 [60*60*24*7]
</CsScore>

</CsoundSynthesizer>

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bin/cabbage-todo/Effects/HighpassFilter.csd View File

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<Cabbage>
form caption("Highpass Filter") size(435, 90), pluginID("HPFl")
image pos(0, 0), size(435, 90), colour( 70,120, 90), shape("rounded"), outline("white"), line(4)
label bounds(22, 22, 60, 11), text("INPUT"), fontcolour("black")
combobox bounds(10, 33, 60, 20), channel("input"), value(1), text("Live","Tone","Noise")
rslider bounds( 75, 11, 70, 70), channel("cf"), text("Freq."), colour( 0, 60, 30), tracker(200,255,200), fontcolour("white"), range(20, 20000, 20000, 0.333)
rslider bounds(140, 11, 70, 70), channel("res"), text("Res."), colour( 0, 60, 30), tracker(200,255,200), fontcolour("white"), range(0,1.00,0)
rslider bounds(205, 11, 70, 70), channel("mix"), text("Mix"), colour( 0, 60, 30), tracker(200,255,200), fontcolour("white"), range(0,1.00,1)
button bounds(280, 10, 80, 20), text("24dB/oct", "12dB/oct"), channel("steepness"), value(0)
label bounds(290, 30, 80, 12), text("Steepness"), fontcolour("black")
checkbox bounds(280, 50, 80, 15), channel("ResType"),colour(yellow), fontcolour("black"), value(0), text("Resonant")
rslider bounds(360, 11, 70, 70), text("Level"), colour( 0, 60, 30), tracker(200,255,200), fontcolour("white"), channel("level"), range(0, 1.00, 1)
image bounds(5, 95, 205, 20), colour(75, 85, 90, 100), plant("credit"), line(0){
label bounds(0.03, 0.1, .95, .7), text("Author: Iain McCurdy |2012|"), colour("white")
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-d -n
</CsOptions>

<CsInstruments>

sr = 44100 ;SAMPLE RATE
ksmps = 32 ;NUMBER OF AUDIO SAMPLES IN EACH CONTROL CYCLE
nchnls = 2 ;NUMBER OF CHANNELS (2=STEREO)
0dbfs = 1

;Author: Iain McCurdy (2012)

instr 1
kcf chnget "cf" ;
kres chnget "res" ;
kmix chnget "mix" ;
ksteepness chnget "steepness" ;
kResType chnget "ResType" ;
klevel chnget "level" ;
kporttime linseg 0,0.001,0.02
kcf portk kcf,kporttime
/* INPUT */
kinput chnget "input"
if kinput=1 then
aL,aR ins
elseif kinput=2 then
aL vco2 0.2, 100
aR = aL
else
aL pinkish 0.2
aR pinkish 0.2
endif
if ksteepness==0&&kResType!=1 then
aFiltL atone aL,kcf
aFiltR atone aR,kcf
elseif ksteepness==1&&kResType!=1 then
aFiltL buthp aL,kcf
aFiltR buthp aR,kcf
elseif kResType==1 then
aFiltL bqrez aL,kcf,1+(kres*40),1
aFiltR bqrez aR,kcf,1+(kres*40),1
endif
aL ntrpol aL,aFiltL,kmix
aR ntrpol aR,aFiltR,kmix
outs aL*klevel,aR*klevel
endin
</CsInstruments>

<CsScore>
i 1 0 [3600*24*7]
</CsScore>

</CsoundSynthesizer>

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bin/cabbage-todo/Effects/LowpassFilter.csd View File

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<Cabbage>
form caption("Lowpass Filter") size(435, 90), pluginID("LPFl")
image pos(0, 0), size(435, 90), colour( 70, 90,100), shape("rounded"), outline("white"), line(4)
label bounds( 22, 22, 60, 11), text("INPUT"), fontcolour("white")
combobox bounds( 10, 33, 60, 20), channel("input"), value(1), text("Live","Tone","Noise")
rslider bounds( 75, 11, 70, 70), channel("cf"), text("Freq."), colour( 0, 40, 50), tracker(200,240,250), fontcolour("white"), range(20, 20000, 20000, 0.333)
rslider bounds(140, 11, 70, 70), channel("res"), text("Res."), colour( 0, 40, 50), tracker(200,240,250), fontcolour("white"), range(0,1.00,0)
rslider bounds(205, 11, 70, 70), channel("mix"), text("Mix"), colour( 0, 40, 50), tracker(200,240,250), fontcolour("white"), range(0,1.00,1)
button bounds(280, 10, 80, 20), channel("steepness"), text("24dB/oct", "12dB/oct"), value(0)
label bounds(290, 30, 80, 12), text("Steepness"), FontColour("white")
checkbox bounds(280, 50, 80, 15), channel("ResType"), FontColour("white"), value(0), text("Resonant"), colour(yellow)
rslider bounds(360, 11, 70, 70), text("Level"), colour( 0, 40, 50), tracker(200,240,250), fontcolour("white"), channel("level"), range(0, 1.00, 1)
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-d -n
</CsOptions>

<CsInstruments>

sr = 44100 ;SAMPLE RATE
ksmps = 32 ;NUMBER OF AUDIO SAMPLES IN EACH CONTROL CYCLE
nchnls = 2 ;NUMBER OF CHANNELS (2=STEREO)
0dbfs = 1

;Author: Iain McCurdy (2012)

instr 1
kcf chnget "cf" ;
kres chnget "res" ;
kmix chnget "mix" ;
ksteepness chnget "steepness" ;
kResType chnget "ResType" ;
klevel chnget "level" ;
kporttime linseg 0,0.001,0.02
kcf portk kcf,kporttime
/* INPUT */
kinput chnget "input"
if kinput=1 then
aL,aR ins
elseif kinput=2 then
aL vco2 0.2, 100
aR = aL
else
aL pinkish 0.2
aR pinkish 0.2
endif
if ksteepness==0&&kResType!=1 then
aFiltL tone aL,kcf
aFiltR tone aR,kcf
elseif ksteepness==1&&kResType!=1 then
aFiltL butlp aL,kcf
aFiltR butlp aR,kcf
elseif kResType==1 then
aFiltL moogladder aL,kcf,kres
aFiltR moogladder aR,kcf,kres
endif
aL ntrpol aL,aFiltL,kmix
aR ntrpol aR,aFiltR,kmix
outs aL*klevel,aR*klevel
endin
</CsInstruments>

<CsScore>
i 1 0 [3600*24*7]
</CsScore>

</CsoundSynthesizer>

+ 76
- 0
bin/cabbage-todo/Effects/MultiReverb.csd View File

@@ -0,0 +1,76 @@
Reverb effect that employs screverb and freeverb opcodes.
Pitch Mod. is only used by reverbsc.

<Cabbage>
form caption("Multi Reverb") size(415, 90), pluginID("Rvrb")
image bounds( 7, 22, 73, 45), colour( 39, 31, 20), shape("rounded"), outline(white), line(1)
image bounds(0, 0, 415, 90), colour( 39, 31, 20), shape("rounded"), outline("white"), line(4)
label bounds( 29, 26, 60, 12), text("Type"), fontColour(white)
button bounds( 11, 40, 66, 20), text("freeverb", "screverb"), channel("type"), value(0), fontcolour("lime")
rslider bounds( 80, 11, 70, 70), text("Size"), fontcolour(white), channel("fblvl"), range(0, 1.00, 0.8), colour( 79, 81, 70), tracker(240,210,170)
rslider bounds(145, 11, 70, 70), text("Damping"), fontcolour(white), channel("fco"), range(0, 1.00, 0.6), colour( 79, 81, 70), tracker(240,210,170)
rslider bounds(210, 11, 70, 70), text("Pitch Mod."), fontcolour(white), channel("pitchm"), range(0, 20.0, 1), colour( 79, 81, 70), tracker(240,210,170)
rslider bounds(275, 11, 70, 70), text("Mix"), fontcolour(white), channel("mix"), range(0, 1.00, 1), colour( 79, 81, 70), tracker(240,210,170)
rslider bounds(340, 11, 70, 70), text("Level"), fontcolour(white), channel("amp"), range(0, 1.00, 1), colour( 79, 81, 70), tracker(240,210,170)
}
image bounds(5, 95, 205, 20), colour(75, 85, 90, 100), plant("credit"), line(0){
label bounds(0.03, 0.1, .95, .7), text("Author: Iain McCurdy |2012|"), colour("white")
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-d -n
</CsOptions>

<CsInstruments>

sr = 44100 ;SAMPLE RATE
ksmps = 32 ;NUMBER OF AUDIO SAMPLES IN EACH CONTROL CYCLE
nchnls = 2 ;NUMBER OF CHANNELS (2=STEREO)
0dbfs = 1

;Author: Iain McCurdy (2012)

instr 1
ktype chnget "type" ;READ WIDGETS...
kfblvl chnget "fblvl" ;
kfco chnget "fco" ;
kpitchm chnget "pitchm" ;
kmix chnget "mix" ;
kamp chnget "amp" ;

ainL,ainR ins
denorm ainL, ainR ;DENORMALIZE BOTH CHANNELS OF AUDIO SIGNAL
if ktype==0 then
kfco expcurve kfco, 4 ;CREATE A MAPPING CURVE TO GIVE A NON LINEAR RESPONSE
kfco scale kfco,20000,20 ;RESCALE 0 - 1 TO 20 TO 20000
kSwitch changed kpitchm ;GENERATE A MOMENTARY '1' PULSE IN OUTPUT 'kSwitch' IF ANY OF THE SCANNED INPUT VARIABLES CHANGE. (OUTPUT 'kSwitch' IS NORMALLY ZERO)
if kSwitch=1 then ;IF kSwitch=1 THEN
reinit UPDATE ;BEGIN A REINITIALIZATION PASS FROM LABEL 'UPDATE'
endif ;END OF CONDITIONAL BRANCHING
UPDATE: ;A LABEL
arvbL, arvbR reverbsc ainL, ainR, kfblvl, kfco, sr, i(kpitchm)
rireturn ;RETURN TO PERFORMANCE TIME PASSES
else
arvbL, arvbR freeverb ainL, ainR, kfblvl, 1-kfco
endif
amixL ntrpol ainL, arvbL, kmix ;CREATE A DRY/WET MIX BETWEEN THE DRY AND THE REVERBERATED SIGNAL
amixR ntrpol ainR, arvbR, kmix ;CREATE A DRY/WET MIX BETWEEN THE DRY AND THE REVERBERATED SIGNAL
outs amixL * kamp, amixR * kamp
endin

instr 3 ;workaround for failure of these widgets from intiialising properly when used as a plugin
;chnset 12000,"fco"
chnset 1,"pitchm"
endin

</CsInstruments>

<CsScore>
i 1 0 [3600*24*7]
i 3 0 0
</CsScore>

</CsoundSynthesizer>

+ 96
- 0
bin/cabbage-todo/Effects/clip.csd View File

@@ -0,0 +1,96 @@
<Cabbage>
form caption("clip") size(315, 90), pluginID("clip")
image bounds(0, 0, 315, 90), colour( 0, 10, 20), shape("rounded"), outline("white"), line(4)
rslider bounds( 10, 11, 70, 70), text("Limit"), channel("limit"), range(0.001, 1, 1, 0.5,0.001) , colour(0,10,20), fontcolour(silver), tracker(lightblue)
rslider bounds( 75, 11, 70, 70), text("Argument"), channel("arg"), range(0, 1.00, 0.5) , colour(0,10,20), fontcolour(silver), tracker(lightblue)
combobox bounds(150, 15, 80,20), channel("method"), size(80,50), value(1), text("B.D.J.", "Sine", "Tanh")
checkbox bounds(150, 45, 100, 20), channel("clip_light"), text("clip") fontcolour("white"), shape("rounded"), colour("red")
rslider bounds(235, 11, 70, 70), text("Level"), channel("level"), range(0, 10.00, 0.7) , colour(0,10,20), fontcolour(silver), tracker(lightblue)
}
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-d -n
</CsOptions>

<CsInstruments>

sr = 44100 ;SAMPLE RATE
ksmps = 32 ;NUMBER OF AUDIO SAMPLES IN EACH CONTROL CYCLE
nchnls = 2 ;NUMBER OF CHANNELS (2=STEREO)
0dbfs = 1

;Author: Iain McCurdy (2012)

instr 1
gklimit chnget "limit" ;READ WIDGETS...
gkmethod chnget "method" ;
gkmethod init 1
gkmethod init i(gkmethod)-1
gkarg chnget "arg"
gklevel chnget "level" ;
;asigL, asigR diskin2 "Seashore.wav",1,0,1 ;OPTIONALLY USE A BUILT-IN WAVEFORM FOR TESTING
asigL, asigR ins
kSwitch changed gklimit, gkmethod, gkarg ;GENERATE A MOMENTARY '1' PULSE IN OUTPUT 'kSwitch' IF ANY OF THE SCANNED INPUT VARIABLES CHANGE. (OUTPUT 'kSwitch' IS NORMALLY ZERO)
if kSwitch=1 then ;IF A VARIABLE CHANGE INDICATOR IS RECEIVED...
reinit START ;...BEGIN A REINITIALISATION PASS FROM LABEL 'START'
endif ;END OF CONDITIONAL BRANCHING
START: ;LABEL
/* clip meter */
krmsL rms asigL
krmsR rms asigR
kon = 1
koff = 0
if(krmsL>gklimit||krmsR>gklimit) then
chnset kon,"clip_light"
else
chnset koff,"clip_light"
endif
/*------------*/
aL clip asigL, i(gkmethod), i(gklimit), i(gkarg)
aR clip asigR, i(gkmethod), i(gklimit), i(gkarg)
rireturn ;RETURN TO PERFORMANCE PASSES FROM INITIALISATION PASS
; outs aL*gklevel*(1/(gklimit^0.5)), aR*gklevel*(1/(gklimit^0.5)) ;pdclip OUTPUTS ARE SENT TO THE SPEAKERS
outs aL*gklevel, aR*gklevel ;pdclip OUTPUTS ARE SENT TO THE SPEAKERS
endin
</CsInstruments>

<CsScore>
i 1 0 [3600*24*7]
</CsScore>


</CsoundSynthesizer>




























+ 98
- 0
bin/cabbage-todo/Effects/pdclip.csd View File

@@ -0,0 +1,98 @@
<Cabbage>
form caption("pdclip") size(315, 90), pluginID("pdcl")
label bounds( 0, -8,315, 90), colour(20,100,100,200), fontcolour(70,150,150,200), text("pdclip"), shape("rounded"), outline("white"), line(4)
image bounds( 0, 0,315, 90), colour(10,100,200,200), shape("rounded"), outline("white"), line(4)
rslider bounds( 10, 11, 70, 70), text("Width"), channel("width"), range(0, 1.00, 0),fontcolour("white"), colour(20, 70,120), tracker("yellow")
rslider bounds( 75, 11, 70, 70), text("Centre"), channel("center"), range(-1.00, 1.00, 0),fontcolour("white"), colour(20, 70,120), tracker("yellow")
combobox bounds(150, 20, 80, 20), channel("bipolar"), size(80,50), value(2), text("Unipolar", "Bipolar")
checkbox bounds(150, 48,130, 12), channel("TestTone"), FontColour("white"), value(0), text("Sine Tone"), colour(yellow)
rslider bounds(235, 11, 70, 70), text("Level"), channel("level"), range(0, 1.00, 0.7),fontcolour("white"), colour(20, 70,120), tracker("yellow")
}
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-d -n
</CsOptions>

<CsInstruments>

sr = 44100 ;SAMPLE RATE
ksmps = 32 ;NUMBER OF AUDIO SAMPLES IN EACH CONTROL CYCLE
nchnls = 2 ;NUMBER OF CHANNELS (2=STEREO)
0dbfs = 1

;Author: Iain McCurdy (2012)

gisine ftgen 0,0,4096,10,1

instr 1
kporttime linseg 0,0.001,0.05 ; portamento time ramps up from zero
gkwidth chnget "width" ;READ WIDGETS...
gkwidth portk gkwidth,kporttime
gkcenter chnget "center" ;
gkcenter portk gkcenter,kporttime
gkbipolar chnget "bipolar" ;
gkbipolar init 1
gkbipolar = gkbipolar-1
gklevel chnget "level" ;
gklevel portk gklevel,kporttime
gkTestTone chnget "TestTone"
if gkTestTone==1 then ; if test tone selected...
koct rspline 4,8,0.2,0.5
asigL poscil 1,cpsoct(koct),gisine ; ...generate a tone
asigR = asigL ; right channel equal to left channel
else ; otherwise...
asigL, asigR ins ; read live inputs
endif

ifullscale = 0dbfs ;DEFINE FULLSCALE AMPLITUDE VALUE
kSwitch changed gkbipolar ;GENERATE A MOMENTARY '1' PULSE IN OUTPUT 'kSwitch' IF ANY OF THE SCANNED INPUT VARIABLES CHANGE. (OUTPUT 'kSwitch' IS NORMALLY ZERO)
if kSwitch=1 then ;IF A VARIABLE CHANGE INDICATOR IS RECEIVED...
reinit START ;...BEGIN A REINITIALISATION PASS FROM LABEL 'START'
endif ;END OF CONDITIONAL BRANCHING
START: ;LABEL
;CLIP THE AUDIO SIGNAL USING pdclip
aL pdclip asigL, gkwidth, gkcenter, i(gkbipolar) ; [, ifullscale]]
aR pdclip asigR, gkwidth, gkcenter, i(gkbipolar) ; [, ifullscale]]
rireturn ;RETURN TO PERFORMANCE PASSES FROM INITIALISATION PASS
alevel interp gklevel
outs aL * alevel, aR * alevel ;pdclip OUTPUT ARE SENT TO THE SPEAKERS
endin
</CsInstruments>

<CsScore>
i 1 0 [3600*24*7]
</CsScore>


</CsoundSynthesizer>




























+ 134
- 0
bin/cabbage-todo/Effects/resony.csd View File

@@ -0,0 +1,134 @@
resony.csd

Resony is an implementation of a stack of second-order bandpass filters whose centre frequencies are arithmetically related.
The 'bandwidth' and 'scaling mode' parameters are as they are in the reson opcode.
'inum' (number of filters) defines the number of filters in the stack.
'ksep' (separation) normally defines the separation between the lowest and highest filter in the stack in octaves. How this relates to what the actual centre frequencies of filters will be differs depending upon which separation mode has been selected. This is explained below. Note that in this example the operation of 'ksep' has been modified slightly to allow the opcode to be better controlled from the GUI. These modifications are clarified below. Separation can be defined in octaves using the knob 'Sep.oct.' or in semitones using the 'Sep.semi.' knob.
'kbf' (base frequency) defines the centre frequency of the first filter. In 'oct.total' separation mode the pitch interval between the base frequency and (base frequency + separation) is divided into equal intervals according to the number of filters that have been selected. Note that no filter is created at the frequency of (base frequency + separation). For example: if separation=1 and num.filters=2, filters will be created at the base frequency and a tritone above the base frequency (i.e. an interval of 1/2 and an octave). I suspect this is a mistake in the opcode implementation so in this example I rescale the separation interval before passing it to the resony opcode so that the interval between the lowest and highest filter in this mode will always be the interval defined in the GUI. A further option I have provided allows the defined interval to be the interval between adjacent filters rather than the interval from lowest to highest. If 'hertz' separation mode is selected behaviour is somewhat curious. I have made some modifications to the values passed to the opcode to make this mode more controllable. Without these modifications, if number of filters is '1' no filters would be created. The frequency relationship between filters in the stack always follows the harmonic series. Both 'Base Frequency' and 'Separation' normally shift this harmonic stack of filters up or down, for this reason I have disabled user control of 'Separation' in this example, instead a value equal to the 'Number of Filters' will always be used for 'Separation'. This ensures that a harmonic stack will always be created built upon 'Base Frequency' as the fundamental. Negative values for 'separation' are allowed whenever 'separation mode' is 'octaves' (if this is the case, the stack of frequencies will extend below the base frequency). Negative values for 'separation' when 'separation mode' is 'hertz' will cause filters to 'explode'. As 'Separation' is fixed at 'Number of Filters' in this example this explosion will not occur.

<Cabbage>
form caption("resony") size(810, 90), pluginID("rsny"), colour(255,100,0,255)
image bounds( 0, 0,810, 90), colour("black"), shape("rounded"), outline("white"), line(4)
button bounds( 10, 20, 80, 50), text("Noise", "Live"), channel("input"), value(0), fontcolour("lime")
rslider bounds( 90, 10, 70, 70), text("BF."), fontcolour("white"), channel("bf"), range(20, 20000, 909, 0.5), colour("red")
rslider bounds(160, 10, 70, 70), text("BW."), fontcolour("white"), channel("bw"), range(0.01, 1000, 13, 0.5), colour("red")
rslider bounds(230, 10, 70, 70), text("Num."), fontcolour("white"), channel("num"), range(1, 80, 10, 1,1), colour("red")
rslider bounds(300, 10, 70, 70), text("Sep.oct."), fontcolour("white"), channel("sep"), range(-11, 11, 2), colour("red")
rslider bounds(370, 10, 70, 70), text("Sep.semi."), fontcolour("white"), channel("sep2"), range(-48, 48, 24,1,1), colour("red")
combobox bounds(450, 10,130, 70), caption("Scaling Mode"), channel("scl"), value(2), text("none", "peak response", "RMS")
combobox bounds(590, 10,130, 70), caption("Separation Mode"), channel("sepmode"), value(1), text("octs.total", "hertz", "octs.adjacent")
rslider bounds(730, 10, 70, 70), text("Level"), fontcolour("white"), channel("gain"), range(0.0001, 1, 30, 0.5), colour("red")
}
image bounds(5, 95, 205, 20), colour(100,100,100,80), plant("credit"), line(0){
label bounds(0.03, 0.1, .95, .7), text("Author: Iain McCurdy |2012|"), fontcolour("white")
}
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-d -n
</CsOptions>

<CsInstruments>

sr = 44100 ;SAMPLE RATE
ksmps = 32 ;NUMBER OF AUDIO SAMPLES IN EACH CONTROL CYCLE
nchnls = 2 ;NUMBER OF CHANNELS (2=STEREO)
0dbfs = 1

;Author: Iain McCurdy (2012)

;A UDO IS CREATED WHICH ENCAPSULATES THE MODIFICATIONS TO THE resony OPCODE DISCUSSED IN THIS EXAMPLE
opcode resony2,a,akkikii
ain, kbf, kbw, inum, ksep , isepmode, iscl xin

;IF 'Octaves (Total)' MODE SELECTED...
if isepmode==0 then
irescale divz inum,inum-1,1 ;PREVENT ERROR IS NUMBER OF FILTERS = ZERO
ksep = ksep * irescale ;RESCALE SEPARATION
;IF 'Hertz' MODE SELECTED...
elseif isepmode==1 then
inum = inum + 1
ksep = inum

;IF 'Octaves (Adjacent)' MODE SELECTED...
elseif isepmode==2 then
irescale divz inum,inum-1,1 ;PREVENT ERROR IS NUMBER OF FILTERS = ZERO
ksep = ksep * irescale ;RESCALE SEPARATION
ksep = ksep * (inum-1) ;RESCALE SEPARATION INTERVAL ACCORDING TO THE NUMBER OF FILTERS CHOSEN
isepmode = 0
endif

aout resony ain, kbf, kbw, inum, ksep , isepmode, iscl, 0
xout aout
endop


instr 1
kporttime linseg 0,0.001,0.005,1,0.005 ;CREATE A VARIABLE FUNCTION THAT RAPIDLY RAMPS UP TO A SET VALUE
gkbf chnget "bf"
gkbw chnget "bw"
gkgain chnget "gain"
gknum chnget "num"
gksep chnget "sep"
gksep2 chnget "sep2"
gksepmode chnget "sepmode"
gksepmode = gksepmode - 1
gksepmode init 1
gkscl chnget "scl"
gkscl = gkscl - 1
gkscl init 1
gkinput chnget "input"

kbf portk gkbf, kporttime ;SMOOTH MOVEMENT OF SLIDER VARIABLE TO CREATE BASE FREQUENCY

ksep portk gksep, kporttime ;SMOOTH MOVEMENT OF SLIDER VARIABLE

if gkinput==0 then
asigL,asigR ins
else
asigL pinkish 1
asigR pinkish 1
endif

kSwitch changed gkscl, gknum, gksepmode ;GENERATE A MOMENTARY '1' PULSE IN OUTPUT 'kSwitch' IF ANY OF THE SCANNED INPUT VARIABLES CHANGE. (OUTPUT 'kSwitch' IS NORMALLY ZERO)
if kSwitch=1 then ;IF I-RATE VARIABLE CHANGE TRIGGER IS '1'...
reinit START ;BEGIN A REINITIALISATION PASS FROM LABEL 'START'
endif
START:
isepmode init i(gksepmode)
inum init i(gknum)
iscl init i(gkscl)
;CALL resony2 UDO
aresL resony2 asigL, kbf, gkbw, inum, ksep , isepmode, iscl
aresR resony2 asigR, kbf, gkbw, inum, ksep , isepmode, iscl

rireturn ;RETURN FROM REINITIALISATION PASS TO PERFORMANCE TIME PASSES
outs aresL * gkgain, aresR * gkgain ;SEND FILTER OUTPUT TO THE AUDIO OUTPUTS AND SCALE USING THE FLTK SLIDER VARIABLE gkgain
endin

instr UpdateWidgets
ksep chnget "sep"
ksep2 chnget "sep2"
ktrig1 changed ksep
ktrig2 changed ksep2
if ktrig1==1 then
chnset ksep*12, "sep2"
elseif ktrig2==1 then
chnset ksep2/12, "sep"
endif
endin

</CsInstruments>

<CsScore>
i 1 0.1 [3600*24*7]
i "UpdateWidgets" 0 3600 ;UPDATE SEPARATION DISPLAY BOX
</CsScore>

</CsoundSynthesizer>

+ 103
- 0
bin/cabbage-todo/Effects/waveset.csd View File

@@ -0,0 +1,103 @@
waveset.csd

reinit seems a bit disruptive in Cabbage 3.03?
'freeze' is not technically a freeze but instead a very large number of repeats.

Waveset opcode can be reinitialised by three different methods:
Manually using the 'Reset' button,
by a built-in metronome, the rate of which can be adjusted by the user
or by the dynamics of the input sound (the threshold of this dynamic triggereing can be adjusted by the user)
'Metro' resetting is disabled when 'Metro Rate' = 0
'Threshold' (retrigering by input signal dynamics) is disabled when 'Threshold' = 1 (maximum setting)
(resetting the opcode will reset its internal buffer and cancel out any time displacement induced by wavelet repetitions)

<Cabbage>
form caption("waveset") size(510, 90), pluginID("wset")
image pos(0, 0), size(510, 90), colour("Green"), shape("rounded"), outline("Grey"), line(4)
rslider bounds(5, 10, 70, 70), text("Repeats"), channel("repeats"), range(1, 100, 1, 1, 1), colour("yellow"), fontcolour("white")
rslider bounds(70, 10, 70, 70), text("Mult."), channel("mult"), range(1, 100, 1, 0.5, 1), colour("yellow"), fontcolour("white")
checkbox bounds(140, 23, 100, 30), channel("freeze"), text("Freeze"), value(0), colour("red"), fontcolour("white"), shape("ellipse")
line bounds(220, 2, 3, 86), colour("Grey")
button bounds(235, 15, 45,45), channel("reset"), text("Reset","Reset"), fontcolour("yellow")
rslider bounds(290, 10, 70, 70), text("Threshold"), channel("thresh"), range(0, 1.00, 1), colour("orange"), fontcolour("white")
rslider bounds(355, 10, 70, 70), text("Metro Rate"), channel("rate"), range(0, 5.00, 0), colour("orange"), fontcolour("white")
line bounds(430, 2, 3, 86), colour("Grey")
rslider bounds(435, 10, 70, 70), text("Level"), channel("level"), range(0, 1.00, 0.7), colour(255,150, 50), fontcolour("white")
}
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-d -n
</CsOptions>

<CsInstruments>

sr = 44100 ;SAMPLE RATE
ksmps = 32 ;NUMBER OF AUDIO SAMPLES IN EACH CONTROL CYCLE
nchnls = 2 ;NUMBER OF CHANNELS (2=STEREO)
0dbfs = 1

;Author: Iain McCurdy (2012)

instr 1
krep chnget "repeats" ;READ WIDGETS...
kmult chnget "mult" ;
klevel chnget "level" ;
kreset chnget "reset" ;
kthresh chnget "thresh" ;
krate chnget "rate" ;
ktrigger changed kreset ;
kmetro metro krate, 0.99
kfreeze chnget "freeze"
;asigL, asigR diskin2 "Songpan.wav",1,0,1 ;USE SOUND FILE FOR TESTING
asigL, asigR ins
krms rms (asigL+asigR)*0.5
kDynTrig trigger krms,kthresh,0

if (ktrigger+kmetro+kDynTrig)>0 then
reinit UPDATE
endif
UPDATE:
aL waveset asigL,(krep*kmult)+(kfreeze*1000000000),5*60*sr ;PASS THE AUDIO SIGNAL THROUGH waveset OPCODE. Input duration is defined in samples - in this example the expression given equats to a 5 minute buffer
aR waveset asigR,(krep*kmult)+(kfreeze*1000000000),5*60*sr ;PASS THE AUDIO SIGNAL THROUGH waveset OPCODE. Input duration is defined in samples - in this example the expression given equats to a 5 minute buffer
rireturn
outs aL*klevel, aR*klevel ;WAVESET OUTPUT ARE SENT TO THE SPEAKERS
endin
</CsInstruments>

<CsScore>
i 1 0 [3600*24*7]
</CsScore>


</CsoundSynthesizer>




























+ 370
- 0
bin/cabbage-todo/Synths/Choir.csd View File

@@ -0,0 +1,370 @@
Choir.csd

Note velocity is interpretted as attack time (along with a slight interpretation as amplitude)
If N.Voices (number of voices) is set to '1' chorussing effect is bypassed, instead a fundemental modulation mechanism is enabled
Vibrato/tremolo depth also controllable using midi controller 1 (mod. wheel), midi channel 1
Vowel is controllable using midi controller 2, midi channel 1
N.Voices value is not strictly speaking accurate: 1 = 1 voice
2 = 2 voices
3 = 4 voices
4 = 6 voices
5 = 8 voices, this is on account of how the mechanism implements a stereo effect

<Cabbage>
form caption("Choir") size(770, 335), pluginID("choi")
; main container
image bounds( 0, 0,770, 360), colour(255,100, 0, 40), shape("rounded"), outline("white"), line(3)
; horizontal stripes
image bounds( 0, 40,770, 75), colour(100,100, 0, 60), shape("sharp")
image bounds( 0,130,770, 35), colour( 0, 0,255, 60), shape("sharp")
; vertical stripes
image bounds(310, 0, 30, 360), colour( 5,255, 0, 60), shape("sharp")
image bounds(370, 0, 80, 360), colour(255, 0,200, 60), shape("sharp")
image bounds(490, 0, 60, 360), colour( 0,255,200, 60), shape("sharp")
image bounds(560, 0, 40, 360), colour(100, 55,200, 60), shape("sharp")
image bounds(620, 0, 20, 360), colour(255, 55, 0, 60), shape("sharp")
image bounds(660, 0, 90, 360), colour( 5,255,100, 60), shape("sharp")

xypad bounds(10, 10, 250, 210), channel("vowel", "oct"), text("X = Vowel 'AEIOU' : Y = Octave Division"), rangex(0, 1, 0), rangey(0, 4, 0)
combobox bounds(265, 10, 110, 25), channel("voice"), value(5), text("Bass", "Tenor", "Countertenor", "Alto", "Soprano")
button bounds(265, 40, 110, 25), text("monophonic", "polyphonic"), channel("monopoly"), value(1), fontcolour("lime")
rslider bounds(385, 10, 60, 60), text("Leg.Time"), channel("LegTim"), range(0.005, 0.3, 0.025, 0.5, 0.005) ,colour("green"), tracker("white")
rslider bounds(445, 10, 60, 60), text("Vowel"), channel("vowel"), range(0, 1.00, 0) ,colour("green"),midCtrl(1, 2), tracker("white")
rslider bounds(505, 10, 60, 60), text("Level"), channel("lev"), range(0, 1.00, 0.6) ,colour("green"), tracker("white")
rslider bounds(265, 80, 60, 60), text("Vib.Dep."), channel("vibdep"), range(0, 2.00, 0.35) ,colour("tomato"),midCtrl(1, 1), tracker("white")
rslider bounds(325, 80, 60, 60), text("Trem.Dep."), channel("trmdep"), range(0, 1.00, 0.2) ,colour("tomato"),midCtrl(1, 1), tracker("white")
rslider bounds(385, 80, 60, 60), text("Mod.Rate"), channel("modrte"), range(0.10,20, 5, 0.5) ,colour("tomato"), tracker("white")
rslider bounds(445, 80, 60, 60), text("Mod.Delay"), channel("moddel"), range(0, 2.00, 0.3, 0.5) ,colour("tomato"), tracker("white")
rslider bounds(505, 80, 60, 60), text("Mod.Rise"), channel("modris"), range(0, 4.00, 2, 0.5) ,colour("tomato"), tracker("white")
rslider bounds(265,150, 60, 60), text("N.Voices"), channel("nvoices"), range(1, 50, 6, 1, 1) ,colour("yellow"), tracker("white")
rslider bounds(325,150, 60, 60), text("Dtn.Dep."), channel("DtnDep"), range(0, 4.00, 1, 0.5) ,colour("yellow"), tracker("white")
rslider bounds(385,150, 60, 60), text("Dtn.Rate"), channel("DtnRte"), range(0.01,40, 0.2, 0.25) ,colour("yellow"), tracker("white")
rslider bounds(445,150, 60, 60), text("Rvb.Mix"), channel("RvbMix"), range(0, 1.00, 0.15) ,colour("steelblue"), tracker("white")
rslider bounds(505,150, 60, 60), text("Rvb.Size"), channel("RvbSize"), range(0.5, 1.00, 0.82, 2) ,colour("steelblue"), tracker("white")
checkbox bounds(570, 10,190, 20), text("Filter On/Off") channel("FiltOnOff"), colour("lime") value(0)
xypad bounds(570, 35, 190, 185), channel("cf", "bw"), text("x:c.off/y:b.width"), rangex(5, 13, 8), rangey(0.1, 5, 0.3)

keyboard pos(10, 225), size(760, 80)
image bounds(10, 309, 250, 22), colour(75, 85, 90, 100), plant("credit"){
label bounds(0.03, 0.15, .99, .7), text("Author: Iain McCurdy |2012|"), colour("white")
}
</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-dm0 -n -+rtmidi=null -M0
</CsOptions>

<CsInstruments>
sr = 44100
ksmps = 64
nchnls = 2
0dbfs = 1
massign 0,2
seed 0

;Author: Iain McCurdy (2012)

gisine ftgen 0, 0, 4096, 10, 1 ;SINE WAVE
giexp ftgen 0, 0, 1024, 19, 0.5, 0.5, 270, 0.5 ;EXPONENTIAL CURVE USED TO DEFINE THE ENVELOPE SHAPE OF FOF PULSES
gasendL,gasendR init 0

;FUNCTION TABLES STORING DATA FOR VARIOUS VOICE FORMANTS
;THE FIRST VALUE OF EACH TABLE DEFINES THE NUMBER OF DATA ELEMENTS IN THE TABLE
;THIS IS NEEDED BECAUSE TABLES SIZES MUST BE POWERS OF 2 TO FACILITATE INTERPOLATED TABLE READING (tablei)
;BASS
giBF1 ftgen 0, 0, 8, -2, 4, 600, 400, 250, 350 ;FREQ
giBF2 ftgen 0, 0, 8, -2, 4, 1040, 1620, 1750, 600 ;FREQ
giBF3 ftgen 0, 0, 8, -2, 4, 2250, 2400, 2600, 2400 ;FREQ
giBF4 ftgen 0, 0, 8, -2, 4, 2450, 2800, 3050, 2675 ;FREQ
giBF5 ftgen 0, 0, 8, -2, 4, 2750, 3100, 3340, 2950 ;FREQ
giBDb1 ftgen 0, 0, 8, -2, 4, 0, 0, 0, 0 ;dB
giBDb2 ftgen 0, 0, 8, -2, 4, -7, -12, -30, -20 ;dB
giBDb3 ftgen 0, 0, 8, -2, 4, -9, -9, -16, -32 ;dB
giBDb4 ftgen 0, 0, 8, -2, 4, -9, -12, -22, -28 ;dB
giBDb5 ftgen 0, 0, 8, -2, 4, -20, -18, -28, -36 ;dB
giBBW1 ftgen 0, 0, 8, -2, 4, 60, 40, 60, 40 ;BAND WIDTH
giBBW2 ftgen 0, 0, 8, -2, 4, 70, 80, 90, 80 ;BAND WIDTH
giBBW3 ftgen 0, 0, 8, -2, 4, 110, 100, 100, 100 ;BAND WIDTH
giBBW4 ftgen 0, 0, 8, -2, 4, 120, 120, 120, 120 ;BAND WIDTH
giBBW5 ftgen 0, 0, 8, -2, 4, 130, 120, 120, 120 ;BAND WIDTH
;TENOR
giTF1 ftgen 0, 0, 8, -2, 5, 650, 400, 290, 400, 350 ;FREQ
giTF2 ftgen 0, 0, 8, -2, 5, 1080, 1700, 1870, 800, 600 ;FREQ
giTF3 ftgen 0, 0, 8, -2, 5, 2650, 2600, 2800, 2600, 2700 ;FREQ
giTF4 ftgen 0, 0, 8, -2, 5, 2900, 3200, 3250, 2800, 2900 ;FREQ
giTF5 ftgen 0, 0, 8, -2, 5, 3250, 3580, 3540, 3000, 3300 ;FREQ
giTDb1 ftgen 0, 0, 8, -2, 5, 0, 0, 0, 0, 0 ;dB
giTDb2 ftgen 0, 0, 8, -2, 5, -6, -14, -15, -10, -20 ;dB
giTDb3 ftgen 0, 0, 8, -2, 5, -7, -12, -18, -12, -17 ;dB
giTDb4 ftgen 0, 0, 8, -2, 5, -8, -14, -20, -12, -14 ;dB
giTDb5 ftgen 0, 0, 8, -2, 5, -22, -20, -30, -26, -26 ;dB
giTBW1 ftgen 0, 0, 8, -2, 5, 80, 70, 40, 40, 40 ;BAND WIDTH
giTBW2 ftgen 0, 0, 8, -2, 5, 90, 80, 90, 80, 60 ;BAND WIDTH
giTBW3 ftgen 0, 0, 8, -2, 5, 120, 100, 100, 100, 100 ;BAND WIDTH
giTBW4 ftgen 0, 0, 8, -2, 5, 130, 120, 120, 120, 120 ;BAND WIDTH
giTBW5 ftgen 0, 0, 8, -2, 5, 140, 120, 120, 120, 120 ;BAND WIDTH
;COUNTER TENOR
giCTF1 ftgen 0, 0, 8, -2, 5, 660, 440, 270, 430, 370 ;FREQ
giCTF2 ftgen 0, 0, 8, -2, 5, 1120, 1800, 1850, 820, 630 ;FREQ
giCTF3 ftgen 0, 0, 8, -2, 5, 2750, 2700, 2900, 2700, 2750 ;FREQ
giCTF4 ftgen 0, 0, 8, -2, 5, 3000, 3000, 3350, 3000, 3000 ;FREQ
giCTF5 ftgen 0, 0, 8, -2, 5, 3350, 3300, 3590, 3300, 3400 ;FREQ
giTBDb1 ftgen 0, 0, 8, -2, 5, 0, 0, 0, 0, 0 ;dB
giTBDb2 ftgen 0, 0, 8, -2, 5, -6, -14, -24, -10, -20 ;dB
giTBDb3 ftgen 0, 0, 8, -2, 5, -23, -18, -24, -26, -23 ;dB
giTBDb4 ftgen 0, 0, 8, -2, 5, -24, -20, -36, -22, -30 ;dB
giTBDb5 ftgen 0, 0, 8, -2, 5, -38, -20, -36, -34, -30 ;dB
giTBW1 ftgen 0, 0, 8, -2, 5, 80, 70, 40, 40, 40 ;BAND WIDTH
giTBW2 ftgen 0, 0, 8, -2, 5, 90, 80, 90, 80, 60 ;BAND WIDTH
giTBW3 ftgen 0, 0, 8, -2, 5, 120, 100, 100, 100, 100 ;BAND WIDTH
giTBW4 ftgen 0, 0, 8, -2, 5, 130, 120, 120, 120, 120 ;BAND WIDTH
giTBW5 ftgen 0, 0, 8, -2, 5, 140, 120, 120, 120, 120 ;BAND WIDTH
;ALTO
giAF1 ftgen 0, 0, 8, -2, 5, 800, 400, 350, 450, 325 ;FREQ
giAF2 ftgen 0, 0, 8, -2, 5, 1150, 1600, 1700, 800, 700 ;FREQ
giAF3 ftgen 0, 0, 8, -2, 5, 2800, 2700, 2700, 2830, 2530 ;FREQ
giAF4 ftgen 0, 0, 8, -2, 5, 3500, 3300, 3700, 3500, 2500 ;FREQ
giAF5 ftgen 0, 0, 8, -2, 5, 4950, 4950, 4950, 4950, 4950 ;FREQ
giADb1 ftgen 0, 0, 8, -2, 5, 0, 0, 0, 0, 0 ;dB
giADb2 ftgen 0, 0, 8, -2, 5, -4, -24, -20, -9, -12 ;dB
giADb3 ftgen 0, 0, 8, -2, 5, -20, -30, -30, -16, -30 ;dB
giADb4 ftgen 0, 0, 8, -2, 5, -36, -35, -36, -28, -40 ;dB
giADb5 ftgen 0, 0, 8, -2, 5, -60, -60, -60, -55, -64 ;dB
giABW1 ftgen 0, 0, 8, -2, 5, 50, 60, 50, 70, 50 ;BAND WIDTH
giABW2 ftgen 0, 0, 8, -2, 5, 60, 80, 100, 80, 60 ;BAND WIDTH
giABW3 ftgen 0, 0, 8, -2, 5, 170, 120, 120, 100, 170 ;BAND WIDTH
giABW4 ftgen 0, 0, 8, -2, 5, 180, 150, 150, 130, 180 ;BAND WIDTH
giABW5 ftgen 0, 0, 8, -2, 5, 200, 200, 200, 135, 200 ;BAND WIDTH
;SOPRANO
giSF1 ftgen 0, 0, 8, -2, 5, 800, 350, 270, 450, 325 ;FREQ
giSF2 ftgen 0, 0, 8, -2, 5, 1150, 2000, 2140, 800, 700 ;FREQ
giSF3 ftgen 0, 0, 8, -2, 5, 2900, 2800, 2950, 2830, 2700 ;FREQ
giSF4 ftgen 0, 0, 8, -2, 5, 3900, 3600, 3900, 3800, 3800 ;FREQ
giSF5 ftgen 0, 0, 8, -2, 5, 4950, 4950, 4950, 4950, 4950 ;FREQ
giSDb1 ftgen 0, 0, 8, -2, 5, 0, 0, 0, 0, 0 ;dB
giSDb2 ftgen 0, 0, 8, -2, 5, -6, -20, -12, -11, -16 ;dB
giSDb3 ftgen 0, 0, 8, -2, 5, -32, -15, -26, -22, -35 ;dB
giSDb4 ftgen 0, 0, 8, -2, 5, -20, -40, -26, -22, -40 ;dB
giSDb5 ftgen 0, 0, 8, -2, 5, -50, -56, -44, -50, -60 ;dB
giSBW1 ftgen 0, 0, 8, -2, 5, 80, 60, 60, 70, 50 ;BAND WIDTH
giSBW2 ftgen 0, 0, 8, -2, 5, 90, 90, 90, 80, 60 ;BAND WIDTH
giSBW3 ftgen 0, 0, 8, -2, 5, 120, 100, 100, 100, 170 ;BAND WIDTH
giSBW4 ftgen 0, 0, 8, -2, 5, 130, 150, 120, 130, 180 ;BAND WIDTH
giSBW5 ftgen 0, 0, 8, -2, 5, 140, 200, 120, 135, 200 ;BAND WIDTH

opcode fofx5, a, kkki
kfund,kvowel,koct,ivoice xin
ivoice limit ivoice,0,4 ;protect against out of range values for ivoice
;create a macro for each formant to reduce code repetition
#define FORMANT(N)
#
invals table 0, giBF1+(ivoice*15)+$N-1 ;number of data elements in each table
invals = invals-1 ;
k$Nform tablei 1+(kvowel*invals), giBF1+(ivoice*15)+$N-1 ;read formant frequency from table
kRandForm$N randomi -0.025,0.025,8,1
k$Nform = k$Nform*octave(kRandForm$N)
k$Ndb tablei 1+(kvowel*invals), giBDb1+(ivoice*15)+$N-1 ;read decibel value from table
k$Namp = ampdb(k$Ndb) ;convert to an amplitude value
k$Nband tablei 1+(kvowel*invals), giBBW1+(ivoice*15)+$N-1 ;read bandwidth from table
#
;EXECUTE MACRO MULTIPLE TIMES
$FORMANT(1)
$FORMANT(2)
$FORMANT(3)
$FORMANT(4)
$FORMANT(5)
;======================================================================================================================================================================
iris = 0.003 ;grain pulse rise time
idur = 0.02 ;grain pulse duration
idec = 0.007 ;grain pulse decay
iolaps = 14850 ;maximum number of overlaps (overestimate)
ifna = gisine ;function table for audio contained within fof grains
ifnb = giexp ;function table that defines the attack and decay shapes of each fof grain
itotdur = 3600 ;total maximum duration of a note (overestimate)
;FOF===================================================================================================================================================================
iRandRange = .1
#define RandFact
#
kRndFact rspline -iRandRange,iRandRange,1,10
kRndFact = semitone(kRndFact)
#
$RandFact
a1 fof k1amp, kfund*kRndFact, k1form, koct, k1band, iris, idur, idec, iolaps, ifna, ifnb, itotdur
a2 fof k2amp, kfund*kRndFact, k2form, koct, k2band, iris, idur, idec, iolaps, ifna, ifnb, itotdur
a3 fof k3amp, kfund*kRndFact, k3form, koct, k3band, iris, idur, idec, iolaps, ifna, ifnb, itotdur
a4 fof k4amp, kfund*kRndFact, k4form, koct, k4band, iris, idur, idec, iolaps, ifna, ifnb, itotdur
a5 fof k5amp, kfund*kRndFact, k5form, koct, k5band, iris, idur, idec, iolaps, ifna, ifnb, itotdur
;======================================================================================================================================================================

;OUT===================================================================================================================================================================
asig = (a1+a2+a3+a4+a5)/5 ;mix the five fof streams and reduce amplitude five-fold
xout asig ;send audio back to caller instrument
endop

opcode ChoVoice,a,kkiii
kDtnDep,kDtnRte,ifn,icount,invoices xin ;read in input args.
ktime randomi 0.01,0.1*kDtnDep,kDtnRte,1 ;create delay time value (linearly interpolating random function will implement pitch/time modulations)
kptime linseg 0,0.001,1 ;portamento time (ramps up quickly from zero to a held value)
ktime portk ktime,kptime ;apply portamento smoothing to delay time changes (prevents angular pitch changes)
atime interp ktime ;create an interpolated a-rate version of delay time function (this will prevent qualtisation artifacts)
atap deltapi atime+0.0015 ;tap the delay buffer (nb. buffer opened and closed in caller instrument, UDO exists within the buffer)
iDel random ksmps/sr,0.2 ;random fixed delay time. By also apply a fixed delay time we prevent excessive amplitude at ote onsets when many chorus voices (N.Voices) are used
atap delay atap,iDel ;apply fixed delay
amix init 0 ;initialise amix variable (needed incase N.Voices is 1 in which case recirsion would not be used)
if icount<invoices then ;if stack of chorus voices is not yet completed...
amix ChoVoice kDtnDep,kDtnRte,ifn,icount+1,invoices ;.. call the UDO again. Increment count number.
endif
xout atap+amix ;send chorus voice created in this interation (and all subsequent voices) back to caller instrument
endop

instr 1 ;instrument that continuously scans widgets
gkmonopoly chnget "monopoly" ;read widgets...
gkDtnDep chnget "DtnDep"
gkDtnRte chnget "DtnRte"
gkvibdep chnget "vibdep"
gkmodrte chnget "modrte"
gktrmdep chnget "trmdep"
gklevel chnget "lev"
gkvowel chnget "vowel"
gkoct chnget "oct"
gkLegTim chnget "LegTim"
gkRvbMix chnget "RvbMix"
gkRvbSize chnget "RvbSize"
kporttime linseg 0,0.001,0.1 ;portamento time (ramps up quickly from zero to a held value)
gkvowel portk gkvowel,kporttime ;apply portamento smoothing
gkoct portk gkoct,kporttime
gkFiltOnOff chnget "FiltOnOff"
gkcf chnget "cf"
gkbw chnget "bw"
gkcf portk cpsoct(gkcf),kporttime ;apply portamento smoothing
gkbw portk gkbw*gkcf,kporttime ;apply portamento smoothing
endin

instr 2 ;triggered via MIDI
gkNoteTrig init 1 ;at the beginning of a new note set note trigger flag to '1'
icps cpsmidi ;read in midi note pitch in cycles per second
givel veloc 0,1 ;read in midi note velocity
gkcps = icps ;update a global krate variable for note pitch

if i(gkmonopoly)==0 then ;if we are *not* in legato mode...
inum notnum ; read midi note number (0 - 127)
event_i "i",p1+1+(inum*0.001),0,-1,icps ; call soud producing instr
krel release ; release flag (1 when note is released, 0 otherwise)
if krel==1 then ; when note is released...
turnoff2 p1+1+(inum*0.001),4,1 ; turn off the called instrument
endif ; end of conditional
else ;otherwise... (i.e. legato mode)
iactive active p1+1 ;check to see if these is already a note active...
if iactive==0 then ;...if not...
event_i "i",p1+1,0,-1 ;...start a new held note
endif
endif
endin

instr 3
ivoice chnget "voice" ;read widgets...
imoddel chnget "moddel" ;
imodris chnget "modris" ;
invoices chnget "nvoices" ;
kporttime linseg 0,0.001,1 ;portamento time function rises quickly from zero to a held value
kporttime = kporttime*gkLegTim ;scale portamento time function with value from GUI knob widget
if i(gkmonopoly)==1 then ;if we are in legato mode...
kcps portk gkcps,kporttime ;apply portamento smooth to changes in note pitch (this will only have an effect in 'legato' mode)
kactive active p1-1 ;...check number of active midi notes (previous instrument)
if kactive==0 then ;if no midi notes are active...
turnoff ;... turn this instrument off
endif
else ;otherwise... (polyphonic / non-legato mode)
kcps = p4 ;pitch equal to the original note pitch
endif

if gkNoteTrig==1&&gkmonopoly==1 then ;if a new note is beginning and if we are in monophonic mode...
reinit RESTART_ENVELOPE ;reinitialise the modulations build up
endif
RESTART_ENVELOPE:
;VIBRATO (PITCH MODULATION)
kmodenv linseg 0,0.001+imoddel,0,0.001+imodris,1 ;modulation depth envelope - modulation can be delayed by the first envelope segement and the rise time is defined by the duration of the second segment
kDepVar randomi 0.5,1,4 ;random variance of the depth of modulation
kmodenv portk kmodenv*kDepVar,kporttime ;smooth changes in modulation envelope to prevent discontinuities whnever the envelope is restarted
rireturn
kRteVar randi 0.1,4 ;random variation of the rate of modulation
kvib lfo gkvibdep*kmodenv,gkmodrte*octave(kRteVar),0 ;vibrato function
;TREMOLO (AMPLITUDE MODULATION)
ktrem lfo kmodenv*(gktrmdep/2),gkmodrte*octave(kRteVar),0 ;TREMOLO LFO FUNCTION
ktrem = (ktrem+0.5) + (gktrmdep * 0.5) ;OFFSET AND RESCALE TREMOLO FUNCTION ACCORDING TO TREMOLO DEPTH WIDGET SETTING
iRelTim = 0.05
kCpsAtt expsegr 0.6,rnd(0.004)+0.001,1,iRelTim,1-rnd(0.05) ;a little jump in pitch at the beginning of a note will give the note a realistic attack sound. This will be most apparent when note velocity is high. And a little gliss at the end of notes.
kcpsRnd gaussi 1,0.01,10 ;create a function that will be used to apply naturalistic pitch instability
kcps = kcps*(1+kcpsRnd) ;apply pitch instability
asig fofx5 kcps*semitone(kvib)*kCpsAtt, gkvowel, gkoct, ivoice-1 ;CALL fofx5 UDO
if gkFiltOnOff==1 then
asig reson asig,gkcf,gkbw,1 ;parametric EQ
endif
aatt linseg 0,(0.3*(1-givel)*(invoices^0.8))+0.01,1 ;AMPLITUDE ENVELOPE - ATTACK TIME IS INFLUENCED BY KEY VELOCITY
asig = asig*aatt*ktrem*(0.3+givel*0.7)*gklevel ;APPLY AMPLITUDE CONTROLS: ENVELOPE, TREMOLO, KEY VELOCITY AND LEVEL

/*CHORUS*/
if invoices>1 then
abuf delayr 2 ;--left channel--
amixL ChoVoice gkDtnDep,gkDtnRte,gisine,1,invoices ;call UDO
delayw asig

abuf delayr 2 ;--right channel--
amixR ChoVoice gkDtnDep,gkDtnRte,gisine,1,invoices ;call UDO
delayw asig

asigL = amixL/(invoices^0.5) ;scale mix of chorus voices according to the number of voices...
asigR = amixR/(invoices^0.5) ;...and the right channel
else ;otherwise... (N.Voices = 1)
asigL = asig ;send mono signal to both channels
asigR = asig
endif
arel linsegr 1,iRelTim,0 ;release envelope
asigL = asigL*arel ;apply release envelope
asigR = asigR*arel

kwet limit 2*gkRvbMix,0,1 ;wet (reverb) level control (reaches maximum a knob halfway point and hold that value for the remainder of its travel)
gasendL = gasendL+asigL*kwet ;send some audio to the reverb instrument
gasendR = gasendR+asigR*kwet
kdry limit 2*(1-gkRvbMix),0,1 ;dry level (stays at maximum for the first half of the knob's travel then ramps down to zero for the remainder of its travel)
outs asigL*kdry,asigR*kdry ;SEND AUDIO TO OUTPUT
gkNoteTrig = 0 ;reset new-note trigger (in case it was '1')
endin

instr Effects
if gkRvbMix>0 then
aL,aR reverbsc gasendL,gasendR,gkRvbSize,12000 ;create stereo reverb signal
outs aL,aR ;send reverb signal to speakers
clear gasendL,gasendR ;clear reverb send variables
endif
endin

</CsInstruments>

<CsScore>
f 0 [3600*24*7]
i 1 0 [3600*24*7] ;read widgets
i "Effects" 0 [3600*24*7] ;reverb
</CsScore>

</CsoundSynthesizer>

+ 321
- 0
bin/cabbage-todo/Synths/Clavinet.csd View File

@@ -0,0 +1,321 @@
Clavinet.csd - an emulation of the Hohner Clavinet D6
-----------------------------------------------------

Pickup Selection
----------------
CA - neck pickup only (pickup A)
CB - bridge pickup only (pickup B)
DA - both pickups in phase
DB - bridge pickup (pickup B) 180 degrees out of phase w.r.t the neck pickup

Setup
-----
Pick A - position of the first pickup (range 0 - 1). Typically referred to as the 'neck' pickup
Pick B - position of the second pickup (range 0 - 1). Typically referred to as the 'bridge' pickup
(NB. the relevant pickup has to be 'active' according to the CD AB switches in order for you to be able to here changes to it pickup position.)
Mod.A - the pickup position can also modulated by an LFO. This control controls the depth of this modulation
Mod.B - Depth of this modulation for the second pickup
Rate A - Rate of modulation for the first pickup
Rate B - Rate of modulation for the second pickup
Env.A - The pickup position can be modulated by a simple single segment envelope. This is typically used to add an particualar attack nuance to the sound. This control controls the initial amplitude of this envelope (can be positive or negative). The envelope always ends at zero.
Env.B - Envelope amplitude for the second pickup.
Time A - Duration of the envelope segment for the first pickup
Time B - Duration of the envelope segment for the second pickup
Pluck - location of the 'pluck' (range 0 - 1). Should be close to zero for a typical clavinet behaviour
Damp - string vibration damping that is applied while a note is being held. String damping is also dependent upon the note played using a 'key tracking' function table 'girefl'. In general lower notes should experience greater damping.
HPF - this controls the cutoff frequency of a highpass filter that the signal passes through.
The value supplied here is multiplied by the fundemental frequency of the note played to derive the cutoff frequency.
Therefore if a value of '2' is supplied the cutoff will always by twice the fundemental, i.e. the frequency of the first harmonic/second partial.
This control can be used to remove the emphasis of the fundemental partial.
If this control is at its minimum setting the filter is bypassed.
LPF - behaves in a similar way to HPF but in respect to a lowpass filter. This control, if reduced, can be used to soften the brightness of a note's attack.
If this control is at its maximum setting the filter is bypassed.
Inharm - applies inharmonicity to the spectrum produced by repluck. Negative values compress the spectrum, positive values expand the spectrum and zero leaves the spectrum unaffected.

Release
-------
* Poorly maintained clavinets exhibit a release 'pluck' as the rubber pad which strikes and frets is lifted from the string when the key is released. The is on account of the rubber pad wearing out.
Ampl - amplitude of the release 'pluck'
Tone - a tone control applied to the release 'pluck' (this will also affect amplitude)
D.Time - time it takes for full damping to be applied (this control has a subtle effect)
Damp - amount of damping that is applied to string vibrations whenever a key is
released (this amount of damping is achieved after 'D.Time' seconds). Note that the 'Damp'
control in the 'Setup' pop-up panel also has an impact upon the release damping.
A.Time - amplitude release time. If this is too short, vibration damping may not be heard and the above controls may not appear to do anything

Filters
-------
The D6 Clavinet design incorporates four bandpass filters which can be switched in or out of the circuit.
Emphasising four different frequency bands from high to low they are named 'brilliant', 'treble', 'medium' and 'soft'
Cutoff frequencies (fco), levels and Q values for each of the four filters can be adjusted.
Obviously the relevant filter has to be activated in order to be able to hear changes made to its settings.
The four filters are in a parallel arrangement as opposed to being in series.

<Cabbage>
form caption("Clavinet"), size(550, 195), pluginID("clav"), colour(228,156,28)

snapshot bounds(260, 46,200, 25), master(1), items("Clavinet 1", "Clavinet 2", "Clavinet 3", "Clavinet 4", "Clavinet 5", "Clavinet 6", "Clavinet 7", "Clavinet 8", "Clavinet 9", "Clavinet 10")

; filter switches
checkbox bounds( 10, 5, 70, 15), text("Brilliant") channel("brilliant"), FontColour(50,50,50), colour("lime")
checkbox bounds( 10, 25, 70, 15), text("Treble") channel("treble"), FontColour(50,50,50), colour("lime"), value(1)
checkbox bounds( 10, 45, 70, 15), text("Medium") channel("medium"), FontColour(50,50,50), colour("lime")
checkbox bounds( 10, 65, 70, 15), text("Soft") channel("soft"), FontColour(50,50,50), colour("lime")

; pickup configuration switches
checkbox bounds( 80, 5, 70, 15), text("C/D") channel("C_D"), FontColour(50,50,50), colour("lime"), value(1)
checkbox bounds( 80, 25, 70, 15), text("A/B") channel("A_B"), FontColour(50,50,50), colour("lime"), value(1)

; controls pertaining to the setup of the instrument (pickup positions, pluck position, damping etc.) accessed in a pop-up panel
groupbox bounds(150, 8, 172, 305), colour(228,156,28), plant("Setup), line(0), popup(1)
{
rslider bounds( 5, 8, 55, 55), text("Pick A"), colour(195,126, 0), FontColour(50,50,50), channel("pickA"), range(0, 1.00, 0.25, 1, 0.001)
rslider bounds( 55, 8, 55, 55), text("Pick B"), colour(195,126, 0), FontColour(50,50,50), channel("pickB"), range(0, 1.00, 0.07, 1, 0.001)
rslider bounds( 5, 68, 55, 55), text("Mod A"), colour(225,156, 28), FontColour(50,50,50), channel("ModA"), range(0,0.50, 0.03, 0.5, 0.001)
rslider bounds( 55, 68, 55, 55), text("Mod B"), colour(225,156, 28), FontColour(50,50,50), channel("ModB"), range(0,0.50, 0.03, 0.5, 0.001)
rslider bounds( 5,128, 55, 55), text("Rate A"), colour(255,186, 58), FontColour(50,50,50), channel("RateA"), range(0,14.00, 0.2, 0.5, 0.001)
rslider bounds( 55,128, 55, 55), text("Rate B"), colour(255,186, 58), FontColour(50,50,50), channel("RateB"), range(0,14.00, 0.15, 0.5, 0.001)
rslider bounds( 5,188, 55, 55), text("Env.A"), colour(255,216, 88), FontColour(50,50,50), channel("EnvA"), range(-1, 1.00, 0)
rslider bounds( 55,188, 55, 55), text("Env.B"), colour(255,216, 88), FontColour(50,50,50), channel("EnvB"), range(-1, 1.00, 0)
rslider bounds( 5,248, 55, 55), text("Time A"), colour(255,246,118), FontColour(50,50,50), channel("TimeA"), range(0, 1.00, 0.05, 0.5, 0.001)
rslider bounds( 55,248, 55, 55), text("Time B"), colour(255,246,118), FontColour(50,50,50), channel("TimeB"), range(0, 1.00, 0.05, 0.5, 0.001)
line bounds(110, 25, 1, 260), colour( 50, 50, 50)
rslider bounds(112, 8, 55, 55), text("Pluck"), colour(195,126, 0), FontColour(50,50,50), channel("plk"), range(0, 1.00, 0.005, 0.5, 0.0001)
rslider bounds(112, 68, 55, 55), text("Damp"), colour(225,156, 28), FontColour(50,50,50), channel("SusDamp"), range(-1.00, 1.00, 0)
rslider bounds(112,128, 55, 55), text("HPF"), colour(255,186, 58), FontColour(50,50,50), channel("HPF"), range(0,16.0, 0)
rslider bounds(112,188, 55, 55), text("LPF"), colour(255,216, 88), FontColour(50,50,50), channel("LPF"), range(1.0,72, 72, 0.375, 0.0001)
rslider bounds(112,248, 55, 55), text("Inharm."),colour(255,216, 88), FontColour(50,50,50), channel("inharm"), range(-0.99,0.99, 0)
}

; controls pertaining to the release stage of a note accessed in a pop-up panel
groupbox bounds(260, 8, 265, 65), colour(228,156,28), plant("Release"), line(0), popup(1)
{
rslider bounds( 5, 8, 55, 55), text("Ampl."), colour(255,186,58), FontColour(50,50,50), channel("RelAmpl"), range(0, 20.00, 2)
rslider bounds( 55, 8, 55, 55), text("Tone"), colour(255,186,58), FontColour(50,50,50), channel("RelTone"), range(100, 8000, 1000)
rslider bounds(105, 8, 55, 55), text("D.Time"), colour(255,186,58), FontColour(50,50,50), channel("RelDTime"), range(0.001, 1, 0.01, 0.5, 0.001)
rslider bounds(155, 8, 55, 55), text("Damp"), colour(255,186,58), FontColour(50,50,50), channel("RelDamp"), range(0.10, 0.99, 0.95)
rslider bounds(205, 8, 55, 55), text("A.Time"), colour(255,186,58), FontColour(50,50,50), channel("RelATime"), range(0.01,20, 0.05, 0.5, 0.01)
}

; controls pertaining to the setup of the instrument's bandpass filters accessed in a pop-up panel
groupbox bounds(150, 46, 230, 195), colour(228,156,28), plant("Filters"), line(0), popup(1)
{
label bounds( 10, 5, 60, 12), text("Brilliant"), colour("white"), FontColour(50,50,50)
label bounds( 69, 5, 60, 12), text("Treble"), colour("white"), FontColour(50,50,50)
label bounds(121, 5, 60, 12), text("Medium"), colour("white"), FontColour(50,50,50)
label bounds(185, 5, 60, 12), text("Soft"), colour("white"), FontColour(50,50,50)
checkbox bounds( 26, 18, 10, 10), channel("brilliant"), colour("lime"), value(0), shape("ellipse")
checkbox bounds( 81, 18, 10, 10), channel("treble"), colour("lime"), value(0), shape("ellipse")
checkbox bounds(136, 18, 10, 10), channel("medium"), colour("lime"), value(0), shape("ellipse")
checkbox bounds(191, 18, 10, 10), channel("soft"), colour("lime"), value(0), shape("ellipse")
rslider bounds( 5, 30, 55, 55), channel("fco1"), text("fco.1"), colour(235,166,38), FontColour(50,50,50), range(50,5000,2500,0.5)
rslider bounds( 60, 30, 55, 55), channel("fco2"), text("fco.2"), colour(235,166,38), FontColour(50,50,50), range(50,5000,1000,0.5)
rslider bounds(115, 30, 55, 55), channel("fco3"), text("fco.3"), colour(235,166,38), FontColour(50,50,50), range(50,5000, 500,0.5)
rslider bounds(170, 30, 55, 55), channel("fco4"), text("fco.4"), colour(235,166,38), FontColour(50,50,50), range(50,5000, 200,0.5)
rslider bounds( 5, 85, 55, 55), channel("gain1"), text("Gain 1"), colour(255,216,88), FontColour(50,50,50), range(0.50,30, 3,0.5)
rslider bounds( 60, 85, 55, 55), channel("gain2"), text("Gain 2"), colour(255,216,88), FontColour(50,50,50), range(0.50,30,2.3,0.5)
rslider bounds(115, 85, 55, 55), channel("gain3"), text("Gain 3"), colour(255,216,88), FontColour(50,50,50), range(0.50,30,1.3,0.5)
rslider bounds(170, 85, 55, 55), channel("gain4"), text("Gain 4"), colour(255,216,88), FontColour(50,50,50), range(0.50,30,1.4,0.5)
rslider bounds( 5,140, 55, 55), channel("Q1"), text("Q 1"), colour(255,255,138), FontColour(50,50,50), range(0.50,30,1.25,0.5)
rslider bounds( 60,140, 55, 55), channel("Q2"), text("Q 2"), colour(255,255,138), FontColour(50,50,50), range(0.50,30,1 ,0.5)
rslider bounds(115,140, 55, 55), channel("Q3"), text("Q 3"), colour(255,255,138), FontColour(50,50,50), range(0.50,30,1 ,0.5)
rslider bounds(170,140, 55, 55), channel("Q4"), text("Q 4"), colour(255,255,138), FontColour(50,50,50), range(0.50,30,2 ,0.5)
line bounds( 59, 25, 1, 150), colour(50,50,50)
line bounds(114, 25, 1, 150), colour(50,50,50)
line bounds(169, 25, 1, 150), colour(50,50,50)
}

rslider bounds(470, 5, 75, 75), text("Level"), colour(255,186,58), FontColour(50,50,50), channel("level"), range(0, 8.00, 0.5, 0.5)

keyboard bounds(10, 85, 530,80)
image bounds(5, 170, 420, 20), colour(75, 85, 90, 50), plant("credit"){
label bounds(0.03, 0.1, .6, .7), text("Author: Iain McCurdy |2013|"), colour("white"), FontColour(50,50,50)
}

</Cabbage>

<CsoundSynthesizer>

<CsOptions>
-dm0 -n -+rtmidi=null -M0
</CsOptions>

<CsInstruments>

sr = 44100
ksmps = 16
nchnls = 2
0dbfs = 1

; table used to map of note played to bridge relection
girefl ftgen 0,0,128,-27, 0,0.4, 36,0.4, 72,0.01, 127,0.01
gisine ftgen 0,0,4096,10,1
gitri ftgen 0,0,4096,7,0,1024,1,2046,-1,1024,0

opcode FreqShifter,a,aki
ain,kfshift,ifn xin ;READ IN INPUT ARGUMENTS
areal, aimag hilbert ain ;HILBERT OPCODE OUTPUTS TWO PHASE SHIFTED SIGNALS, EACH 90 OUT OF PHASE WITH EACH OTHER
asin oscili 1, kfshift, ifn, 0
acos oscili 1, kfshift, ifn, 0.25
;RING MODULATE EACH SIGNAL USING THE QUADRATURE OSCILLATORS AS MODULATORS
amod1 = areal * acos
amod2 = aimag * asin
;UPSHIFTING OUTPUT
aFS = (amod1 - amod2)
xout aFS ;SEND AUDIO BACK TO CALLER INSTRUMENT
endop

instr 1
ibrilliant chnget "brilliant" ; filter switch
itreble chnget "treble" ; filter switch
imedium chnget "medium" ; filter switch
isoft chnget "soft" ; filter switch
iC_D chnget "C_D" ; single/dual pickup selector
iA_B chnget "A_B" ; neck/bridge pickup selector
gklevel chnget "level" ; output volume control

icps cpsmidi ; cps read from midi
inum notnum ; note number read from midi
ivel veloc 0,1 ; velocity read from midi

; pluck position is an i-rate variable so a mechanism is created to re-initialise the instrument if it is changed in realtime
kplk chnget "plk" ; pluck position
ktrig changed kplk ; if GUI knob changes, generate a trigger
if ktrig==1 then ; if triggered...
reinit UPDATE ; reinitialise...
endif
UPDATE: ; ...from here (until the end of the instrument)
iplk = i(kplk) ; cast k-rate pluck position to i-rate variable

; pickup positions
kpickA chnget "pickA" ; neck pickup position
kpickB chnget "pickB" ; bridge pickup position

; string vibration damping / reflectivity
irefl table inum,girefl ; read reflectivity for this note from function table (lower notes will experience more damping)
iRelDTime chnget "RelDTime" ; release damping time: time for damping state to be established
iRelDamp chnget "RelDamp" ; amount of damping upon release
krefl linsegr irefl,iRelDTime,iRelDamp ; upon note release vibrations are damped quickly and dramatically
kSusDamp chnget "SusDamp" ; user controlled modulation of string vibration damping
krefl limit krefl+kSusDamp,0.001,0.999 ; consolidate reflection/damping value and limit possible values to prevent out of range values

iamp = ivel*0.3
kenv expseg 1, 0.01,0.001,1,0.001 ; create an amplitude envelope for the noise burst
axcite pinkish kenv-0.001 ; create a pink noise signal
axcite tone axcite,icps*2
krelease release ; sense release of note
iRelAmpl chnget "RelAmpl" ; release pluck amplitude
iRelTone chnget "RelTone" ; tone of the release pluck
if krelease==1 then ; if key is released...
axcite mpulse iRelAmpl,0 ; audio impulse is created as an implementation of the release pluck impulse
axcite butlp axcite,iRelTone ; lowpass filter the impulse
endif

kModA chnget "ModA" ; pickup position modulation depth
kModB chnget "ModB"
kRateA chnget "RateA" ; pickup position modulation rate
kRateB chnget "RateB"

iEnvA chnget "EnvA" ; pickup position envelope modulation depth
iEnvB chnget "EnvB"
iTimeA chnget "TimeA" ; pickup position envelope modulation time
iTimeB chnget "TimeB"

kenv1 transeg iEnvA,iTimeA,-4,0 ; envelope applied to the pickup position (pickup A)
kenv2 transeg iEnvB,iTimeB,-4,0 ; envelope applied to the pickup position (pickup B)
kmod1 oscili kModA,kRateA,gitri ; lfo used to modulate pickup position (pickup A)
kmod2 oscili kModB,kRateB,gitri ; lfo used to modulate pickup position (pickup B)
kpickA limit kpickA + kmod1 + kenv1, 0, 1 ; consolidate pickup position between fixed value, lfo and envelope. Also protect against out of range values. (pickup A)
kpickB limit kpickB + kmod2 + kenv2, 0, 1 ; consolidate pickup position between fixed value, lfo and envelope. Also protect against out of range values. (pickup B)

iinharm chnget "inharm" ; inharmonicity of the tone. negative values compress the spectrum, positive values expand it. Compensation will be applied to the fundemental so that it will remain consistent.
iFShift = icps*iinharm ; amount of frequency shift (in CPS)

a1 repluck iplk, iamp, icps-iFShift, kpickA, krefl, axcite ; employ plucked string model (pickup A)
a2 repluck iplk, iamp, icps-iFShift, kpickB, krefl, axcite ; employ plucked string model (pickup B)

if(iinharm!=0) then ; only apply frequency shifting if inharmonicity is anything other than zero
a1 FreqShifter a1,iFShift,gisine ; call frequency shifting UDO
a2 FreqShifter a2,iFShift,gisine
endif

if(iC_D==0&&iA_B==0) then ;CA - neck pickup only
asig = a1
elseif(iC_D==0&&iA_B==1) then ;CB - bridge pickup only
asig = a2
elseif(iC_D==1&&iA_B==0) then ;DA - both pickups in phase
asig = a1 + a2
elseif(iC_D==1&&iA_B==1) then ;DB - both pickups. Pickup B 180 degrees out of phase
asig = a1 - a2
endif

; velocity to brightness
icf = (ivel*6)+8 ; cutoff frequency in 'oct' format
asig butlp asig,cpsoct(icf) ; lowpass filter audio signal

; filter switches
kfco1 chnget "fco1" ; filter cutoffs
kfco2 chnget "fco2"
kfco3 chnget "fco3"
kfco4 chnget "fco4"
kQ1 chnget "Q1" ; filter q's
kQ2 chnget "Q2"
kQ3 chnget "Q3"
kQ4 chnget "Q4"
kgain1 chnget "gain1" ; filter gains
kgain2 chnget "gain2"
kgain3 chnget "gain3"
kgain4 chnget "gain4"

; filters
amix = 0 ; audio mix of filter outputs (reset to silence upon each iteration)
if(ibrilliant==1) then ; if 'brilliant' selected...
afilt rbjeq asig, kfco1, 1, kQ1, 1, 4 ; bandpass filter sound
amix = amix + (afilt * kgain1) ; add a scaled amount of filtered signal to filter mix signal
endif
if(itreble==1) then ; if 'treble' selected...
afilt rbjeq asig, kfco2, 1, kQ2, 1, 4 ; bandpass filter sound
amix = amix + (afilt * kgain2) ; add a scaled amount of filtered signal to filter mix signal
endif
if(imedium==1) then ; if 'medium' selected...
afilt rbjeq asig, kfco3, 1, kQ3, 1, 4 ; bandpass filter sound
amix = amix + (afilt * kgain3) ; add a scaled amount of filtered signal to filter mix signal
endif
if(isoft==1) then ; if 'soft' selected...
afilt rbjeq asig, kfco4, 1, kQ4, 1, 4 ; bandpass filter sound
amix = amix + (afilt * kgain4) ; add a scaled amount of filtered signal to filter mix signal
endif
if((ibrilliant + itreble + imedium + isoft)==0) then ; if no filters selected...
amix = asig ; ...just send unfiltered audio to filter section output
endif

; key following highpass filter
kHPF chnget "HPF" ; highpass filter multiple
if kHPF>0 then ; if HPF control is greater than 1...
kcf limit icps*kHPF,20,sr/2 ; prevent out of range values which would cause the filter to 'blow up'
amix buthp amix,kcf ; filter tone relative to note fundemental
endif

; key following lowpass filter
kLPF chnget "LPF" ; lowpass filter multiple
if kLPF<72 then ; if LPF control is greater than 1...
kcf limit icps*kLPF,20,sr/2 ; prevent out of range values which would cause the filter to 'blow up'
amix butlp amix,kcf ; filter tone relative to note fundemental
endif

; release envelope
iRelATime chnget "RelATime" ; amplitude release time
aenv linsegr 1, iRelATime, 0 ; amplitude release envelope (senses key release before entering final/only segment)

; output signal
aout = amix * aenv * gklevel ; apply release envelope and level control
outs aout, aout ; send audio to outputs
endin

</CsInstruments>

<CsScore>
f 0 [60*60*24*7] ; keep performance going for up to a week
</CsScore>

</CsoundSynthesizer>

+ 461
- 0
bin/cabbage-todo/Synths/Clavinet.snaps View File

@@ -0,0 +1,461 @@
------------------------ Instrument ID:
-------- Start of Preset: Clavinet 1
brilliant: 0
treble: 1
medium: 0
soft: 0
C_D: 1
A_B: 1
pickA: 0.25
pickB: 0.0700000003
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.00499999989
SusDamp: 0
HPF: 0
LPF: 72
inharm: 0
RelAmpl: 2
RelTone: 1000
RelDTime: 0.0100000007
RelDamp: 0.949999988
RelATime: 0.049999997
brilliant: 0
treble: 1
medium: 0
soft: 0
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 0.5
-------- End of Preset: Clavinet 1

-------- Start of Preset: Clavinet 2
brilliant: 0
treble: 0
medium: 1
soft: 0
C_D: 1
A_B: 0
pickA: 0.938000023
pickB: 0.0500000007
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.165399998
SusDamp: 0.50999999
HPF: 0
LPF: 39.6390991
inharm: 0
RelAmpl: 0
RelTone: 1000
RelDTime: 0.0100000007
RelDamp: 0.359999985
RelATime: 4.01999998
brilliant: 0
treble: 0
medium: 1
soft: 0
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 0.925000072
-------- End of Preset: Clavinet 2

-------- Start of Preset: Clavinet 3
brilliant: 0
treble: 0
medium: 1
soft: 0
C_D: 1
A_B: 0
pickA: 0.120000005
pickB: 0.252000004
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.00079999998
SusDamp: 0.0799999759
HPF: 2.04999995
LPF: 8.57209969
inharm: -0.50999999
RelAmpl: 2.15999985
RelTone: 2358.80005
RelDTime: 0.0650000051
RelDamp: 0.300000012
RelATime: 8
brilliant: 0
treble: 0
medium: 1
soft: 0
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 1.21700001
-------- End of Preset: Clavinet 3

-------- Start of Preset: Clavinet 4
brilliant: 0
treble: 1
medium: 0
soft: 0
C_D: 1
A_B: 0
pickA: 0.530000031
pickB: 0.462000012
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.269099981
SusDamp: -1
HPF: 0
LPF: 25.2099991
inharm: 0
RelAmpl: 2
RelTone: 1000
RelDTime: 0.0100000007
RelDamp: 0.879999995
RelATime: 0.049999997
brilliant: 0
treble: 1
medium: 0
soft: 0
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 0.5
-------- End of Preset: Clavinet 4

-------- Start of Preset: Clavinet 5
brilliant: 0
treble: 1
medium: 0
soft: 1
C_D: 0
A_B: 1
pickA: 0.398000032
pickB: 0.522000015
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.285899997
SusDamp: 0.0999999791
HPF: 0
LPF: 31.4514999
inharm: 0
RelAmpl: 0
RelTone: 1000
RelDTime: 0.0100000007
RelDamp: 0.579999983
RelATime: 3.91999984
brilliant: 0
treble: 1
medium: 0
soft: 1
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 0.461000025
-------- End of Preset: Clavinet 5

-------- Start of Preset: Clavinet 6
brilliant: 0
treble: 1
medium: 0
soft: 0
C_D: 1
A_B: 1
pickA: 0.0940000042
pickB: 0.398000032
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.128700003
SusDamp: 0.299999982
HPF: 0
LPF: 72
inharm: 0
RelAmpl: 0
RelTone: 1000
RelDTime: 0.0100000007
RelDamp: 0.280000001
RelATime: 1.39999998
brilliant: 0
treble: 1
medium: 0
soft: 0
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 0.5
-------- End of Preset: Clavinet 6

-------- Start of Preset: Clavinet 7
brilliant: 1
treble: 1
medium: 0
soft: 0
C_D: 1
A_B: 0
pickA: 0.00200000009
pickB: 0.950000048
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.128700003
SusDamp: 0.299999982
HPF: 3.46000004
LPF: 24.0676003
inharm: 0
RelAmpl: 0
RelTone: 1000
RelDTime: 0.0100000007
RelDamp: 0.280000001
RelATime: 3.32999992
brilliant: 1
treble: 1
medium: 0
soft: 0
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 4.26300001
-------- End of Preset: Clavinet 7

-------- Start of Preset: Clavinet 8
brilliant: 1
treble: 1
medium: 0
soft: 0
C_D: 1
A_B: 0
pickA: 0.584000051
pickB: 0.450000018
ModA: 0.0300000012
ModB: 0.0300000012
RateA: 0.200000003
RateB: 0.150000006
EnvA: 0
EnvB: 0
TimeA: 0.0500000007
TimeB: 0.0500000007
plk: 0.23709999
SusDamp: 0.459999979
HPF: 1.46999991
LPF: 16.7103996
inharm: 0
RelAmpl: 0
RelTone: 1000
RelDTime: 0.0100000007
RelDamp: 0.140000001
RelATime: 3.58999991
brilliant: 1
treble: 1
medium: 0
soft: 0
fco1: 2500
fco2: 1000
fco3: 500
fco4: 200
gain1: 3
gain2: 2.29999995
gain3: 1.29999995
gain4: 1.39999998
Q1: 1.25
Q2: 1
Q3: 1
Q4: 2
level: 0.720000029
-------- End of Preset: Clavinet 8

-------- Start of Preset: Clavinet 9
brilliant: 1
treble: 0
medium: 0
soft: 0
C_D: 0
A_B: 0
pickA: 0.25
pickB: 0.0700000003
ModA: 0.0300000012