| @@ -58,17 +58,17 @@ | |||||
| < non-pattern-editor.png | < non-pattern-editor.png | ||||
| Upon invocation, Non enters the pattern editor and loads Pattern | Upon invocation, Non enters the pattern editor and loads Pattern | ||||
| 1. The pattern editor presents a grid interface--the heart a step | |||||
| 1. The pattern editor presents a grid interface--the heart of a step | |||||
| sequencer. You can toggle a note on the grid by entering its | sequencer. You can toggle a note on the grid by entering its | ||||
| coordinates with the keyboard or clicking an intersection with the | coordinates with the keyboard or clicking an intersection with the | ||||
| mouse. The length of patterns is unlimited and no special action is | mouse. The length of patterns is unlimited and no special action is | ||||
| required lengthen them (simply adding notes beyond the "end" is | |||||
| required to lengthen them (simply adding notes beyond the "end" is | |||||
| enough.) Non can present grids in one of two modes, expanded and | enough.) Non can present grids in one of two modes, expanded and | ||||
| compacted. In the compacted view, only named rows are displayed; | compacted. In the compacted view, only named rows are displayed; | ||||
| this means that only the notes the current instrument or scale will | this means that only the notes the current instrument or scale will | ||||
| consume vertical space--resulting in far more efficient use of | consume vertical space--resulting in far more efficient use of | ||||
| screen real-estate. Any notes are made invisible by the compacted | |||||
| view will be silenced. | |||||
| screen real-estate. Any notes that are made invisible by the | |||||
| compacted view will be silenced. | |||||
| You may add, remove, transpose, move, and edit notes, as well as | You may add, remove, transpose, move, and edit notes, as well as | ||||
| trigger/mute patterns, while the transport is running. | trigger/mute patterns, while the transport is running. | ||||
| @@ -88,8 +88,8 @@ | |||||
| Percussion, or other sample-based patterns can be assigned an | Percussion, or other sample-based patterns can be assigned an | ||||
| /instrument/ mapping, which again limits the display to only those | /instrument/ mapping, which again limits the display to only those | ||||
| notes for which names and volumes have been provided. The instrument | notes for which names and volumes have been provided. The instrument | ||||
| definition format is simple ASCII file containing one name, note and | |||||
| volume percentage per line. | |||||
| definition format is a simple ASCII file containing one name, note | |||||
| and volume percentage per line. | |||||
| Individual patterns may be soloed or muted right from the pattern | Individual patterns may be soloed or muted right from the pattern | ||||
| editor. | editor. | ||||
| @@ -101,8 +101,8 @@ | |||||
| The type (duration) of note to be inserted can be adjusted in the | The type (duration) of note to be inserted can be adjusted in the | ||||
| pattern editor (control+mouse-wheel). The velocity of individual | pattern editor (control+mouse-wheel). The velocity of individual | ||||
| notes may be adjusted (mouse-wheel), and is the current value is | |||||
| reflected in the color of the note. Ranages may also be /inserted/ | |||||
| notes may be adjusted (mouse-wheel), and the current value is | |||||
| reflected in the color of the note. Ranges may also be /inserted/ | |||||
| and /deleted/, a commonly required operation during composition, but | and /deleted/, a commonly required operation during composition, but | ||||
| one that is, sadly, missing from many sequencers. | one that is, sadly, missing from many sequencers. | ||||
| @@ -118,7 +118,7 @@ | |||||
| = results in a jumble of notes that require much manual cleaning up. | = results in a jumble of notes that require much manual cleaning up. | ||||
| = Overwrite (each pass [with input] replaces the previous contents of the pattern) | = Overwrite (each pass [with input] replaces the previous contents of the pattern) | ||||
| = This is like merge mode, except that the pattern is cleared before | = This is like merge mode, except that the pattern is cleared before | ||||
| = the recorded events are input. If note notes have been played during | |||||
| = the recorded events are input. If no notes have been played during | |||||
| = a loop, the pattern remains unchanged. This is a great way to just get | = a loop, the pattern remains unchanged. This is a great way to just get | ||||
| = a part down without having to remove your hands from the instrument. | = a part down without having to remove your hands from the instrument. | ||||
| = Layer (each pass [with input] goes into a new pattern) | = Layer (each pass [with input] goes into a new pattern) | ||||