Use Sound Sample Description Version 2 for all MOV files.
Updated FATE references accordingly.
Note that ADPCM is treated as compressed audio in version 2.
The qatar implementation makes no sense.
a muxer without timestamps is constant fps thus needs vsync.
the crc/mp5 are special cases that have timestamps yet allow any
nonsensical timestamps.
raw (yuv/rgb) video is constant fps thus needs vsync too.
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
The cbSize field should be included in all cases, even with PCM where
its value is ignored.
Fixes encoding PCM audio in Matroska for some players which insist on
a full WAVEFORMATEX structure for A_MS/ACM audio.
Since fate uses wav files for the audio test a larger number of tests
has changed checksums or shifted positions due to the 2 byte longer
wave header.
Signed-off-by: Janne Grunau <janne-libav@jannau.net>
Similar to libswscale this does resampling and format convertion, just for audio
instead of video.
changing sampling rate, sample formats, channel layouts and sample packing all
in one with a very simple public interface.
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
This should fix behavior introduced by commit
96573c0d76. Av_rescale_rnd() is not
lossless so if two timestamps are equal after being rescaled they are
not always actually identical. This patch use av_compare_ts() to get
always a correct result.
Signed-off-by: Ronald S. Bultje <rsbultje@gmail.com>
This makes the AC3 encoder use the shared fixed-point MDCT rather
than its own implementation. The checksum changes are due to
different rounding in the MDCT.
Signed-off-by: Mans Rullgard <mans@mansr.com>
This increases the accuracy of coefficients, leading to improved quality.
Rescaling of the coefficients to full 25-bit accuracy is done rather than
offsetting the exponent values. This requires coefficient scaling to be done
before determining the rematrixing strategy. Also, the rematrixing strategy
calculation must use 64-bit math to prevent overflow due to the higher
precision coefficients.
This is to match the value in every (E-)AC-3 file from commercial sources.
It has a negligible effect on audio quality.
Signed-off-by: Mans Rullgard <mans@mansr.com>
(cherry picked from commit 50d7140441)
This is to match the value in every (E-)AC-3 file from commercial sources.
It has a negligible effect on audio quality.
Signed-off-by: Mans Rullgard <mans@mansr.com>
This patch changes the exponent difference threshold in the exponent
strategy decision function of the AC-3 encoder. I tested lowering in
increments of 100. From 1000 down to 500 generally increased in quality
with each step, but 400 was generally much worse.
Signed-off-by: Mans Rullgard <mans@mansr.com>
(cherry picked from commit c3beafa0f1)
This patch changes the exponent difference threshold in the exponent
strategy decision function of the AC-3 encoder. I tested lowering in
increments of 100. From 1000 down to 500 generally increased in quality
with each step, but 400 was generally much worse.
Signed-off-by: Mans Rullgard <mans@mansr.com>
Martin Storsjö
Reimar Döffinger
Michael Niedermayer
Justin Ruggles
Matthieu Bouron
Anton Khirnov
Diego Biurrun
John Brooks
Clément Bœsch
Mans Rullgard
Jindrich Makovicka
Baptiste Coudurier
Vitor Sessak