Browse Source

Initial draft of lac 2018 presentation paper

tags/v1.9.9
falkTX 7 years ago
parent
commit
d9853a19ee
3 changed files with 55 additions and 115 deletions
  1. +1
    -4
      data/presentation/lac2018/Makefile
  2. +54
    -74
      data/presentation/lac2018/lac2018.tex
  3. +0
    -37
      data/presentation/lac2018/sample.bib

+ 1
- 4
data/presentation/lac2018/Makefile View File

@@ -11,10 +11,7 @@ cleantmp:
rm -f *.blg rm -f *.blg
rm -f *.log rm -f *.log


%.pdf: %.tex # %.bib
pdflatex "$<"
bibtex `basename "$<" .tex`
pdflatex "$<"
%.pdf: %.tex
pdflatex "$<" pdflatex "$<"


.PHONY:all clean .PHONY:all clean

+ 54
- 74
data/presentation/lac2018/lac2018.tex View File

@@ -3,16 +3,14 @@
\sloppy \sloppy
\newenvironment{contentsmall}{\small} \newenvironment{contentsmall}{\small}


\title{Paper Template for LAC2018, c-base Berlin}
\title{Carla Plugin Host - Feature overview and workflows, c-base Berlin}


%see lac2018.sty for how to format multiple authors! %see lac2018.sty for how to format multiple authors!
\author \author
{Firstname LASTNAME
\\ Group, Lab, Organisation
\\ Address
\\ ZIP Town,
\\ Country,
\\ Firstname.Lastname@here.edu
{Filipe Coelho
\\ falkTX, Linux Audio Developer
\\ Berlin, Germany,
\\ falktx@falktx.com
} }




@@ -23,108 +21,90 @@


\begin{abstract} \begin{abstract}
\begin{contentsmall} \begin{contentsmall}
This is a \LaTeX\ sample for your paper. The abstract should comprise
50-100 words.
Carla is a fully-featured audio plugin host with support for many plugin formats,
featuring automation of plugin parameters via MIDI CC, remote control over OSC, among others.
This workshop plans to give a quick overview of Carla and go through some workflows together with the audience.
\end{contentsmall} \end{contentsmall}
\end{abstract} \end{abstract}


\keywords{ \keywords{
\begin{contentsmall} \begin{contentsmall}
One, two, three (max. 5)
Plugin, Host, Modular, MIDI, OSC, Rack, Patchbay
\end{contentsmall} \end{contentsmall}
} }


\section{Introduction} \section{Introduction}


This is a model document. Don't use fonts smaller than this
one (Times 11), and don't forget to leave it in A4 (21 x 29.7~cm).
The first part of the workshop is a quick personal introduction, followed by a small musical demo.


\section{Section}
The demo features a MIDI sequencer to generate events, but the entire output sound comes from Carla.
It serves as a demonstration of what we can with it.


Text\footnote{Text of note.}, note at end of page.
\section{Overview}


After showing a demo song, the workshop continues by a quick overview of Carla's features and its graphical interface.


\subsection{Subsection}
This will allow for those that don't know Carla yet to easily catch up on its current status.


Text of the subsection with citations such as
\cite{Spa72}, \cite{Kay86} and \longcite{MosWal64}.
\subsection{Features}


\subsubsection{Subsubsection}
First, we describe the main Carla features, to inform those that don't know the application yet.


Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection (see Table~\ref{table1}).
\subsection{Interface}


Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Next, we go through the most important elements of Carla's UI and explain what they do, and what they mean.


We also describe the possible settings, and do a local scan for plugins (so we can actually use them).


\begin{table}[h]
\begin{center}
\begin{tabular}{|l|l|}
\section{Workflows}


\hline
Software & Features\\
\hline\hline
AA & Harddisk-Recording\\
BB & MIDI Sequencing\\
CC & Score Notation\\
\hline
This is the main content of the workshop.


\end{tabular}
\caption{Example}\label{table1}
\end{center}
\end{table}
We will go through a few Carla setups to cover as many use-cases as possible.


\subsection{The First Sound}


Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
Text of the subsubsection.
To get the audience acquainted with Carla, we will first load a few plugins and have them make some sound.
We introduce managing plugins and connections here.
If possible, we demonstrate the use of a MIDI keyboard together with Carla.


\subsection{Rack Mode}


\section{Section}
One of the main features of Carla is the Rack mode.


Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
We will describe how it works, and how we can use it in creative ways to produce sounds using multiple plugins.


Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
Text. Text. More text. Text. Text.
\subsection{Sequencing MIDI}


\section{Section}
In a modular host, we can create sound without user input by using MIDI generator plugins.


Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
Text. Text. More text. Text. Text.
Text. Text. Text. Text. Text.
We will demonstrate two of such plugins. and use them to drive a basic drum kit and synth.


Text. Text. Text. Text. Text.
Text. Text. Text. Text. Text.
\subsection{Modular Side-chain}


\section{Conclusions}
Modular setups make it easy to setup side-chains.

We will quickly go through one of these, using what we learned so far.

\subsection{Carla as a plugin}

Carla works as a plugin, not just a standalone application.

We will show some possible use-cases for this feature, showing Carla running inside Carla and in regular DAWs.


Concluding text.
\subsection{Remote OSC Control}


\section{Acknowledgements}
OSC is a common protocol used to control audio applications remotely.
Carla-Control can be used to control a remote Carla instance over the network.


Our thanks go to \ldots .
We will connect two Carla instances together, running on different systems.

\section{Questions}

We reserve a space at the end of the workshop for questions from the audience.

\section{Conclusions}


\bibliographystyle{acl}
\bibliography{sample}
We conclude the workshop with a thank you to the audience.


\end{document} \end{document}

+ 0
- 37
data/presentation/lac2018/sample.bib View File

@@ -1,37 +0,0 @@
@book{Sal89,
author={Salton, G.},
year={1989},
title={Automatic Text Processing},
publisher={Addison-Wesley}
}


@article{Spa72,
author={{Sparck Jones}, K.},
year={1972},
title={A Statistical Interpretation of Term Specificity and its Application in Retrieval},
journal={Journal of Documentation},
volume={28},
number={1},
pages={11-21}
}


@book{MosWal64,
author={Mosteller, Fredrick and David Wallace},
year={1964},
title={Inference and Disputed Authorship: The Federalist},
publisher={Addison-Wesley},
address={Reading, Massachusetts}
}

@incollection{Kay86,
AUTHOR = {Kay, Martin},
TITLE = {Parsing in Functional Unification Grammar},
YEAR = {1986},
BOOKTITLE = {Readings in Natural Language Processing},
EDITOR = {B. J. Grosz, K. Spark Jones and B. L. Webber},
PUBLISHER = {Morgan Kaufmann Publishers},
ADDRESS = {Los Altos},
PAGES = {125-138}
}

Loading…
Cancel
Save